{"title":"August Winnig: From Proletariat to Workerdom, in the Name of the People","authors":"S. Hake","doi":"10.1215/0094033X-8732173","DOIUrl":null,"url":null,"abstract":"\n In the social imaginaries that sustained Nazi ideology from the 1920s through the 1930s, Arbeitertum, translated here as “workerdom,” played a key role in integrating socialist positions into the discourse of the Volksgemeinschaft. Workerdom proved essential for translating the class-based identifications associated with the proletariat into the race-based categories that redefined the people, and hence the workers, in line with antisemitic thought. The writings of the prolific but largely forgotten August Winnig (1878–1956) can be used to reconstruct how workerdom came to provide an emotional blueprint, an identificatory model, and a compensatory fantasy in the reimagining of class, folk, and nation. The influential Vom Proletariat zum Arbeitertum (1930), as well as select autobiographical and fictional works by Winnig, are used to uncover these continuities through the political emotions, dispositions, and identifications that can properly be called populist. In the larger context of worker’s literature, conservative revolution, and völkisch thought, the Nazi discourse of workerdom not only confirms the close connection between political emotion and populist (un)reason but also opens up new ways to understand the continued attractions of populism as a particular kind of politics of emotion based on the dream of the people.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":"48 1","pages":"125-152"},"PeriodicalIF":0.4000,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"NEW GERMAN CRITIQUE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/0094033X-8732173","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
Abstract
In the social imaginaries that sustained Nazi ideology from the 1920s through the 1930s, Arbeitertum, translated here as “workerdom,” played a key role in integrating socialist positions into the discourse of the Volksgemeinschaft. Workerdom proved essential for translating the class-based identifications associated with the proletariat into the race-based categories that redefined the people, and hence the workers, in line with antisemitic thought. The writings of the prolific but largely forgotten August Winnig (1878–1956) can be used to reconstruct how workerdom came to provide an emotional blueprint, an identificatory model, and a compensatory fantasy in the reimagining of class, folk, and nation. The influential Vom Proletariat zum Arbeitertum (1930), as well as select autobiographical and fictional works by Winnig, are used to uncover these continuities through the political emotions, dispositions, and identifications that can properly be called populist. In the larger context of worker’s literature, conservative revolution, and völkisch thought, the Nazi discourse of workerdom not only confirms the close connection between political emotion and populist (un)reason but also opens up new ways to understand the continued attractions of populism as a particular kind of politics of emotion based on the dream of the people.
在20世纪20年代至30年代维持纳粹意识形态的社会想象中,Arbeitertum,在这里被翻译为“工人主义”,在将社会主义立场融入人民话语中发挥了关键作用。事实证明,工人主义对于将与无产阶级相关的基于阶级的认同转化为基于种族的类别至关重要,这些类别根据反犹太主义思想重新定义了人民,从而重新定义了工人。多产但基本上被遗忘的August Winning(1878-1956)的作品可以用来重建工人主义是如何在重新想象阶级、民间和国家的过程中提供情感蓝图、识别模式和补偿幻想的。颇具影响力的Vom Proletariat zum Arbeitertum(1930),以及温尼伯精选的自传体和虚构作品,被用来通过可以被恰当地称为民粹主义的政治情感、倾向和认同来揭示这些连续性。在工人文学、保守革命和沃尔基什思想的大背景下,纳粹的工人主义话语不仅证实了政治情感与民粹主义理性之间的密切联系,而且为理解民粹主义作为一种基于人民梦想的特殊情感政治的持续吸引力开辟了新的途径。
期刊介绍:
Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.