{"title":"A Contextual and Aesthetic Analysis of Jesus of the Deep Forest: Teaching an African Oral Poem","authors":"Susan Vanzanten","doi":"10.2979/reseafrilite.51.4.13","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This essay discusses the contextual and formal qualities of Jesus of the Deep Forest, a long Ghanaian praise poem, situating this discussion in light of the difficulties Western readers often experience in encountering African oral literature. An analysis of the poem's artistic design begins with the conventions of its genre as an apae, a highly respected verbal artistic expression in Ghana. Without a narrative structure, the apae relies on a complex system of parallelism and repetition, along with three types of praise names. Close analysis of several representative passages demonstrates how repetition works. The poem's metaphors, shifts in voice and address, and use of allusion provide further access for aesthetic investigation. Such analysis demonstrates the creative evolution of an ancient literary form to address fresh contemporary realities. The elaborate artistry and the cultural significance of the poem point to the enduring importance of oral and religious genres for Africa today.","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"51 1","pages":"230 - 245"},"PeriodicalIF":0.3000,"publicationDate":"2021-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Research in African Literatures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/reseafrilite.51.4.13","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT:This essay discusses the contextual and formal qualities of Jesus of the Deep Forest, a long Ghanaian praise poem, situating this discussion in light of the difficulties Western readers often experience in encountering African oral literature. An analysis of the poem's artistic design begins with the conventions of its genre as an apae, a highly respected verbal artistic expression in Ghana. Without a narrative structure, the apae relies on a complex system of parallelism and repetition, along with three types of praise names. Close analysis of several representative passages demonstrates how repetition works. The poem's metaphors, shifts in voice and address, and use of allusion provide further access for aesthetic investigation. Such analysis demonstrates the creative evolution of an ancient literary form to address fresh contemporary realities. The elaborate artistry and the cultural significance of the poem point to the enduring importance of oral and religious genres for Africa today.
期刊介绍:
Founded in 1970, Research in African Literatures is the premier journal of African literary studies worldwide and provides a forum in English for research on the oral and written literatures of Africa, as well as information on African publishing, announcements of importance to Africanists, and notes and queries of literary interest. Reviews of current scholarly books are included in every issue, often presented as review essays, and a forum offers readers the opportunity to respond to issues raised in articles and book reviews.