Soviet Russia and Its Leaders in the Satirical Press of the Early Russian Emigration

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
O. Minin
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引用次数: 0

Abstract

Surveying the satirical press in the time of the early Russian emigration ca. 1920–1931, this essay focuses on caricatures and satirical drawings published in the Paris-based weeklies Bitche (Whip, 1920) and Satirikon (1931). Arguably, exemplifying the émigré reception and portrayal of Soviet Russia, the graphic works prepared for these journals by artists such as Yurii Annenkov, Mikhail Drizo and Mikhail Linskii sought to lampoon and debunk the Soviet political and military establishment as a gesture of refusal to accept the Bolshevik Revolution and as a reflection of the ressentiment and trauma caused by the need to emigrate. In discussing themes and personalities satirized in these vivid and often poignant caricatures, the essay also attempts to delineate the context against which they were created in order to provide a more precise understanding of their commentaries.
早期俄罗斯移民讽刺报刊中的苏俄及其领导人
本文考察了俄罗斯早期移民时期的讽刺媒体。1920年至1931年,重点关注巴黎周刊Bitche(辉格党,1920年)和Satirikon(1931年)上发表的漫画和讽刺画。可以说,Yurii Annenkov等艺术家为这些期刊准备的平面作品体现了对苏俄的移民接受和描绘,米哈伊尔·德里佐和米哈伊尔·林斯基试图讽刺和揭穿苏联的政治和军事体制,认为这是拒绝接受布尔什维克革命的一种姿态,也是移民需求造成的压力和创伤的反映。在讨论这些生动且常常令人心酸的漫画中讽刺的主题和人物时,文章还试图描绘出它们的创作背景,以便对它们的评论有更准确的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Experiment-A Journal of Russian Culture
Experiment-A Journal of Russian Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
50.00%
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0
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