Contested Memories in Contemporary France and Their Reflection in Rap Music

Q4 Arts and Humanities
Alexandra Preitschopf
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引用次数: 0

Abstract

France’s colonial past and its aftermath remain an “open wound” to this day. After a long period of silence, painful issues such as the role of France in the transatlantic slave trade, colonial crimes in Africa, and the Algerian War have more and more become part of public consciousness in France. Interestingly, many French rap musicians who are the children or grandchildren of immigrants from former French colonies frequently use their songs to remind France of its colonial past. However, their messages sometimes compete with remembrance of the Holocaust. The singers’ condemnation of French colonialism becomes wrapped up in the Middle East conflict and Israel is portrayed as a new “colonial power.” By analyzing selected lyrics of recent French rap songs this article aims to explore the complex and sensitive intersection of post-colonial and Middle East politics and set the lyrics in the broader socio-political context of remembrance culture in France. The article argues that the musicians’ approaches to France’s troubled past are an important form of self-affirmation for their communities in the postcolonial context. By bringing up previously silenced topics, they contribute to a more diverse remembrance culture and contest narratives that have been predominant for a long time.
当代法国有争议的记忆及其在说唱音乐中的反映
法国的殖民历史及其后果至今仍是一个“开放的伤口”。经过长时间的沉默,法国在跨大西洋奴隶贸易中的作用、非洲的殖民罪行和阿尔及利亚战争等痛苦问题越来越多地成为法国公众意识的一部分。有趣的是,许多法国说唱音乐家都是来自前法国殖民地的移民的子女或孙子女,他们经常用自己的歌曲来提醒法国的殖民历史。然而,他们的信息有时与对大屠杀的纪念相竞争。歌手们对法国殖民主义的谴责被中东冲突所掩盖,以色列被描绘成一个新的“殖民大国”。本文通过对近年来法国说唱歌曲歌词的分析,旨在探讨后殖民地政治与中东政治的复杂而敏感的交叉点,并将歌词置于法国更广泛的纪念文化的社会政治语境中。文章认为,在后殖民背景下,音乐家们对法国麻烦的过去的态度是他们社区自我肯定的一种重要形式。通过提出以前被沉默的话题,他们有助于形成一种更加多样化的纪念文化和长期以来占主导地位的竞赛叙事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
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5
审稿时长
30 weeks
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