Blending parody: The case of My Corona

Q2 Arts and Humanities
Galia Hirsch
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引用次数: 0

Abstract

Abstract This contribution is an attempt to integrate the notion of conceptual blending (Fauconnier and Turner 1998; Fauconnier and Turner 2002; and Fauconnier and Turner 2003) and Linda Hutcheon’s (1985) view of parody as a form of repetition maintaining a critical distance, through the analysis of a multimodal Internet meme. The case study chosen is a parodic music video of the Knack’s classic hit My Sharona, showing the absurdity in everyday life during the times of the Covid-19 pandemic. The study is thus based on two conceptual paradigms: Blending Theory and Pragmatic Studies of Parody.
混合模仿:我的科罗娜案例
摘要这篇文章试图通过对多模式互联网模因的分析,整合概念融合的概念(Fauconnier和Turner 1998;Fauconier和Turner 2002;以及Faucon尼尔和Turner 2003)和Linda Hutcheon(1985)的观点,即戏仿是一种保持关键距离的重复形式。所选择的案例研究是Knack的经典热门歌曲《My Sharona》的戏仿音乐视频,展示了新冠肺炎大流行期间日常生活中的荒谬。因此,本研究基于两个概念范式:混合理论和模仿语用研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Lodz Papers in Pragmatics
Lodz Papers in Pragmatics Arts and Humanities-Language and Linguistics
CiteScore
1.10
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0.00%
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