{"title":"'Salve atque vale, aselle': Satire and Consolation in Laura Cereta’s \"In asinarium funus oratio\"","authors":"Quinn Griffin","doi":"10.30986/2018.069","DOIUrl":null,"url":null,"abstract":"The humanist Laura Cereta of Brescia (1469-1499) produced during her lifetime one collection of letters and a Latin dialogue entitled \"In asinarium funus oratio\" (\"Oration on the Funeral of a Donkey\"). In this dialogue, Cereta herself appears as the chief interlocutor, consoling the donkey’s owners with a blend of ancient philosophies. This paper will further the understanding of Cereta’s Oratio in three ways: first, by placing it in the context of the humanist and classical genres of dialogue, consolation, and satirical encomium; second, by considering the relevance of the donkey to the work as a whole; and finally, by exploring Cereta’s reception of classical authors in the context of her consolation. The paper argues that Cereta’s blending of genres and use of a donkey as the subject of her oration work to create a safe space for the humanist woman to showcase her rhetorical talents.","PeriodicalId":52918,"journal":{"name":"Humanistica Lovaniensia","volume":"67 1","pages":"69-89"},"PeriodicalIF":0.0000,"publicationDate":"2018-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Humanistica Lovaniensia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30986/2018.069","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The humanist Laura Cereta of Brescia (1469-1499) produced during her lifetime one collection of letters and a Latin dialogue entitled "In asinarium funus oratio" ("Oration on the Funeral of a Donkey"). In this dialogue, Cereta herself appears as the chief interlocutor, consoling the donkey’s owners with a blend of ancient philosophies. This paper will further the understanding of Cereta’s Oratio in three ways: first, by placing it in the context of the humanist and classical genres of dialogue, consolation, and satirical encomium; second, by considering the relevance of the donkey to the work as a whole; and finally, by exploring Cereta’s reception of classical authors in the context of her consolation. The paper argues that Cereta’s blending of genres and use of a donkey as the subject of her oration work to create a safe space for the humanist woman to showcase her rhetorical talents.