David Foster Wallace and New Sincerity Aesthetics: A Reply to Edward Jackson and Joel Nicholson-Roberts

Q2 Arts and Humanities

Orbit (Cambridge) Pub Date : 2017-08-08 DOI:10.16995/ORBIT.224

Adam Kelly

引用次数: 9

Abstract

This essay responds to the critique of my work advanced by Edward Jackson and Joel Nicholson-Roberts in “White Guys: Questioning Infinite Jest’s New Sincerity,” published in Orbit in March 2017. In addition to refuting their misrepresentations of my work, I provide a positive re-articulation of my core reading of the New Sincerity aesthetic, outlining its connection to concepts such as affect, intention, undecidability, literature, and neoliberalism.

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大卫·福斯特·华莱士与新真诚美学——对爱德华·杰克逊和乔尔·尼科尔森-罗伯茨的回应

本文回应了爱德华·杰克逊(Edward Jackson)和乔尔·尼科尔森-罗伯茨(Joel Nicholson-Roberts)在2017年3月发表在《轨道》(Orbit)杂志上的《白人:质疑无限玩笑的新诚意》(White Guys: Questioning Infinite Jest’s New Sincerity)中对我的作品提出的批评。除了驳斥他们对我作品的歪曲外，我还积极地重新阐述了我对新真诚美学的核心阅读，概述了它与情感、意图、不可判定性、文学和新自由主义等概念的联系。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Orbit (Cambridge) Arts and Humanities-Literature and Literary Theory

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

15 weeks

期刊介绍： Orbit: Writing Around Pynchon is a journal that publishes high quality, rigorously reviewed and innovative scholarly material on the works of Thomas Pynchon, related authors and adjacent fields in 20th- and 21st-century literature. We publish special and general issues in a rolling format, which brings together a traditional journal article style with the latest publishing technology to ensure faster, yet prestigious, publication for authors.