You Got to Tell: Private Spaces and Public Narrators in Grace Paley’s Stories

IF 0.1 0 LITERARY THEORY & CRITICISM
Diana Ortega Martín
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引用次数: 0

Abstract

The American storyteller Grace Paley (December 11, 1922-August 22, 2007) has been known for her political activism and her ability to construct powerful voices which recollected female, migrant, and urban collective experiences in post-World War II America. In her stories, Paley emphasizes the act of storytelling as a tool for creating a collective shared experience out of individual characters, making the personal and domestic collective and political. In this paper, I will analyze the role of Paley’s most prominent narrator, Faith Darwin, bridging the gap between the private and public urban spheres in three different and evolutive stories: “A Conversation with My Father” (1972), “The Long-Distance Runner” and “Faith in a Tree” (1974). These stories exemplify how Faith uses different strategies in storytelling with the purpose of achieving personal identity and empowerment through communal identification and the recollection of familiar experiences
《你必须说:格蕾丝·佩利故事中的私人空间和公共叙述者
美国说书人格雷斯·帕利(1922年12月11日至2007年8月22日)以其政治激进主义和构建强有力的声音的能力而闻名,这些声音回忆了二战后美国的女性、移民和城市集体经历。在她的故事中,佩利强调讲故事的行为是一种工具,可以从个人角色中创造集体的共同体验,使个人和家庭成为集体和政治的。在这篇论文中,我将分析帕利最著名的叙述者费斯·达尔文在三个不同的、进化的故事中的作用,这三个故事分别是:《与父亲的对话》(1972年)、《长跑运动员》和《树上的信仰》(1974年)。这些故事展示了Faith如何在讲故事时使用不同的策略,目的是通过社区认同和对熟悉经历的回忆来实现个人身份和赋权
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来源期刊
Literatura-Teoria Historia Critica
Literatura-Teoria Historia Critica LITERARY THEORY & CRITICISM-
CiteScore
0.20
自引率
0.00%
发文量
30
审稿时长
13 weeks
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