Encuesta de caracterización y consumo cultural de los públicos de Teatro Biobío

Culturas Pub Date : 2020-06-11 DOI:10.4995/cs.2020.13603
Aileen G. Chales-Aoun
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引用次数: 0

Abstract

Teatro Biobio, after two years of operation, already has different audiences studios. The objective of this research is to characterize the audiences that attend the artistic programming of the Biobio Theater, according to cultural domain. This study is of a quantitative, descriptive and longitudinal type. In general, the results obtained from the sociodemographic variables do not change affected from one year to the next, which can translate into a high level of reliability of the instrument. However, different differences were obtained between 2018 and 2019 in variables of cultural consumption. In this way, it can be asserted that what distinguishes the "types" of audiences are not their intrinsic sociodemographic characteristics, but their forms of cultural consumption. This research, which is a pioneer in the region in public studies, will serve as an antecedent for future studies in cultural management at the local and national level.
剧场观众的特征与文化消费调查biobio
经过两年的运营,Teatro Biobio已经拥有了不同的观众工作室。本研究的目的是根据文化领域来描述参加Biobio剧院艺术节目的观众。本研究为定量、描述性和纵向研究。一般来说,从社会人口变量中获得的结果不会从一年到下一年发生变化,这可以转化为工具的高可靠性。然而,2018年和2019年的文化消费变量存在不同的差异。由此可以断言,区分受众“类型”的不是其内在的社会人口学特征,而是其文化消费的形式。这项研究是本区域公共研究的先驱,将成为今后在地方和国家一级进行文化管理研究的先例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
自引率
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发文量
18
审稿时长
24 weeks
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