From the Sky to the Streets, and Back

IF 1.2 Q2 CULTURAL STUDIES
S. Al‐Bulushi
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引用次数: 1

Abstract

Against the Eurocentric, heteronormative paradigms that continue to structure analysis of post-9/11 global warfare, this article asks what it means to decenter the view from the imperial war room, illustrated most poignantly in the 2016 thriller Eye in the Sky. Highlighting the role played by the Kenyan state in the ongoing war against the Somali militant group al-Shabaab, it takes seriously the African subjects who co-constitute geographies of war making in East Africa today, from the political and business elite who normalize militarized masculinities and femininities, to the African troops whose affective and violent labor sustains war making in Somalia. Far from a celebration of subaltern agency, the article engages the notion of a “subaltern geopolitics” that is mindful of asymmetries of power and that foregrounds ambiguous positions of marginality that are neither dominant nor resistant. Attention to entanglement disrupts binary analytical paradigms of global/local and masculine/feminine, and calls for a deeper consideration of collaboration and complicity.
从天空到街道,再返回
针对继续构建对9/11后全球战争分析的以欧洲为中心的非规范范式,本文提出了从帝国战争室中转移观点意味着什么,这在2016年的惊悚片《天空之眼》中得到了最深刻的说明。它强调了肯尼亚政府在正在进行的打击索马里激进组织青年党的战争中所发挥的作用,并认真对待共同构成当今东非战争地区的非洲主体,从使军事化的男性气质和女性气质正常化的政治和商业精英,感谢非洲军队,他们的情感和暴力劳动维持了索马里的战争。这篇文章远不是对次级机构的庆祝,而是采用了“次级地缘政治”的概念,这种概念注意到权力的不对称,并预示着既不占主导地位也不具有抵抗力的模糊边缘地位。对纠缠的关注颠覆了全球/本地和男性/女性的二元分析范式,并呼吁更深入地考虑合作和共谋。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Social Text
Social Text CULTURAL STUDIES-
CiteScore
5.10
自引率
3.00%
发文量
19
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