Human Insufficiency and the Politics of Accommodation in King Lear

Q3 Arts and Humanities
Renaissance Drama Pub Date : 2019-03-01 DOI:10.1086/702989
Jeffrey B. Griswold
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引用次数: 0

Abstract

hakespearean scholars interested in political thought perennially return to the middle scenes of King Lear, an episode that seems to lay bare truths about sovereignty and subjection by staging their dissolution. A crisis of authority permeates every line of the tragedy; fromLear’s love test to Albany’s failure to establish a successor to the throne, the play frantically searches for an anchor on which to ground the state. But no moment more urgently interrogates these central themes than the scenes on the heath. The king has given away his land yet demands that he retain the royal title. In his fall, he also mirrors the abused bodies of the masterless men to whom he apostrophizes at the start of act 3, scene 4. In examining the problem of authority, scholars home in on the trope of the “unaccommodated man.” A human being stripped of political, social, and familial ties raises questions about sovereignty, natural law, and the effects of social hierarchies. This trope could provide a materialist critique of political structures. Or it might reflect philosophical developments, anticipating seventeenthcentury contract theory. King Lear engages political thought at a moment of ex-
《李尔王》中的人的不足与通融政治
对政治思想感兴趣的莎士比亚学者经常回到《李尔王》的中间场景,这一集似乎通过上演主权和臣服的解体,揭示了主权和臣服的真相。权力危机贯穿了这部悲剧的每一行;从李尔王的爱情考验到奥尔巴尼没能找到王位的继承人,这部剧疯狂地寻找一个能让国家立足的锚。但是,没有哪个时刻比荒原上的场景更迫切地追问这些中心主题了。国王已经放弃了他的土地,但仍要求他保留皇室头衔。在他的堕落中,他也反映了那些被虐待的人的身体,这些人是他在第三幕第四场开始时向他们喊话的。在研究权威问题时,学者们把注意力集中在“不适应的人”这一比喻上。一个被剥夺了政治、社会和家庭关系的人会引发有关主权、自然法和社会等级影响的问题。这一比喻可以提供对政治结构的唯物主义批判。或者它可能反映了哲学的发展,预测了17世纪的契约理论。李尔王(King Lear)在前一时刻投身于政治思想
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来源期刊
Renaissance Drama
Renaissance Drama Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
8
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