State of the Art Fair Post-Covid: Audience Development Strategies in a Post-Digital Context

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
A. Zagrebelnaia
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引用次数: 1

Abstract

This paper presents an overview of the audience-oriented initiatives implemented by art fairs during the confinement. As in other spheres of art and culture, significant growth of digital activities has been offered to the audience of the fairs. However, due to the 'experience nature’ of the event, not all of these strategies were equally successful. Based on the qualitative thematic analysis of the articles written by the representatives of the art world, this paper identifies audience development strategies for the art fairs in a post-digital context. The first section introduces the classification of the strategic areas of audience development covered by the art fairs during confinement. The second section discusses which of these strategies can be implemented in the post-pandemic context. In conclusion, an overview of the audience development strategies and main trends is presented, opening the discussion on the contribution of these strategies to the development of the new art fair’s model.
后当代艺术博览会:后数字背景下的受众发展策略
本文概述了艺术博览会在禁闭期间实施的以观众为导向的举措。与其他艺术和文化领域一样,博览会为观众提供了数字活动的显著增长。然而,由于事件的“体验性质”,并非所有这些策略都同样成功。本文通过对艺术界代表所写文章的定性主题分析,确定了后数字背景下艺术博览会的受众发展策略。第一部分介绍了禁闭期间艺术博览会所涵盖的观众发展战略领域的分类。第二节讨论哪些战略可在大流行后的背景下实施。最后,概述了观众发展策略和主要趋势,并开始讨论这些策略对新艺术博览会模式发展的贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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