{"title":"Books published on French and Francophone cinema in 2018","authors":"P. Powrie","doi":"10.1080/14715880.2019.1582264","DOIUrl":null,"url":null,"abstract":"Abadie, Shahram. Architecture des salles obscures: Paris, 1907-1939: Paris: AFHRC. Armes, Roy. Roots of the New Arab Film. Bloomington: Indiana University Press. Aurouet, Carole. Le Cinéma de Guillaume Apollinaire: Des manuscrits inédits pour un nouvel éclairage. Paris: Grenelle. Aventin, Christine. Breillat, des yeux le ventre. Bruxelles: Espace nord. Bazin, André. Écrits complets. 2 vols. Edited by Hervé Joubert-Laurencin. Paris: Macula. Bazin, André. Selected Writings 1943–1958. Translated by Timothy Barnard. New Brunswick: Rutgers University Press. Beausson-Diagne, Nadege, et al. Noire n’est pas mon métier. Paris: Seuil. Bert, Jean-François Pioud. Baisers volés: De François Truffaut. Paris: Grenelle. Bloom, Michelle E. Contemporary Sino-French Cinemas: Absent Fathers, Banned Books, and Red Balloons. Honolulu: University of Hawai’ï Press. Boutang, Adrienne. Hugo Clémot, Laurent Le Forestier, Laurent Jullier, Raphaëlle Moine, and Luc Vancheri. L’Analyse des films en pratique: 31 exemples commentés d’analyse filmique. Paris: Armand Colin. Brett, Oliver. Performing Place in French and Italian Queer Documentary Film: Space and Proust’s Lieu Factice. Basingstoke: Palgrave Macmillan. Chahine, Youssef. Le Révolutionnaire tranquille (Interviewed by Tewfik Hakem for France-Culture). Nantes: Capricci. Clémot, Hugo. Cinéthique. Paris: Vrin. Cowans, Jon. Film and Colonialism in the Sixties: The Anti-Colonialist Turn in the US, Britain, and France. London: Routledge. De Haas, Patrick. Cinéma absolu: Avant-garde 1920-1930. Paris: Macula. Dousteyssier-Khoze, Catherine. Claude Chabrol’s Aesthetics of Opacity. Edinburgh: Edinburgh University Press. Dufays, Sophie, Dominique Nasta, and Marie Cadalanu., edsConnaît-on la chanson?: Usages de la chanson dans les cinémas d’Europe et d’Amérique Latine depuis 1960. Bern: Peter Lang. Faroult, David. Godard: Inventions d’un cinéma politique. Paris: Les Prairies ordinaires. Forest, Claude. Production et financement du cinéma en Afrique sud saharienne francophone (19602018). Paris: L’Harmattan. STUDIES IN FRENCH CINEMA 2019, VOL. 19, NO. 4, 353–355 https://doi.org/10.1080/14715880.2019.1582264","PeriodicalId":51945,"journal":{"name":"Studies in French Cinema","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14715880.2019.1582264","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in French Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14715880.2019.1582264","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abadie, Shahram. Architecture des salles obscures: Paris, 1907-1939: Paris: AFHRC. Armes, Roy. Roots of the New Arab Film. Bloomington: Indiana University Press. Aurouet, Carole. Le Cinéma de Guillaume Apollinaire: Des manuscrits inédits pour un nouvel éclairage. Paris: Grenelle. Aventin, Christine. Breillat, des yeux le ventre. Bruxelles: Espace nord. Bazin, André. Écrits complets. 2 vols. Edited by Hervé Joubert-Laurencin. Paris: Macula. Bazin, André. Selected Writings 1943–1958. Translated by Timothy Barnard. New Brunswick: Rutgers University Press. Beausson-Diagne, Nadege, et al. Noire n’est pas mon métier. Paris: Seuil. Bert, Jean-François Pioud. Baisers volés: De François Truffaut. Paris: Grenelle. Bloom, Michelle E. Contemporary Sino-French Cinemas: Absent Fathers, Banned Books, and Red Balloons. Honolulu: University of Hawai’ï Press. Boutang, Adrienne. Hugo Clémot, Laurent Le Forestier, Laurent Jullier, Raphaëlle Moine, and Luc Vancheri. L’Analyse des films en pratique: 31 exemples commentés d’analyse filmique. Paris: Armand Colin. Brett, Oliver. Performing Place in French and Italian Queer Documentary Film: Space and Proust’s Lieu Factice. Basingstoke: Palgrave Macmillan. Chahine, Youssef. Le Révolutionnaire tranquille (Interviewed by Tewfik Hakem for France-Culture). Nantes: Capricci. Clémot, Hugo. Cinéthique. Paris: Vrin. Cowans, Jon. Film and Colonialism in the Sixties: The Anti-Colonialist Turn in the US, Britain, and France. London: Routledge. De Haas, Patrick. Cinéma absolu: Avant-garde 1920-1930. Paris: Macula. Dousteyssier-Khoze, Catherine. Claude Chabrol’s Aesthetics of Opacity. Edinburgh: Edinburgh University Press. Dufays, Sophie, Dominique Nasta, and Marie Cadalanu., edsConnaît-on la chanson?: Usages de la chanson dans les cinémas d’Europe et d’Amérique Latine depuis 1960. Bern: Peter Lang. Faroult, David. Godard: Inventions d’un cinéma politique. Paris: Les Prairies ordinaires. Forest, Claude. Production et financement du cinéma en Afrique sud saharienne francophone (19602018). Paris: L’Harmattan. STUDIES IN FRENCH CINEMA 2019, VOL. 19, NO. 4, 353–355 https://doi.org/10.1080/14715880.2019.1582264