{"title":"Towards a Hermeneutics of Myth: Carlo Emilio Gadda’s Unexplored Philosophical Relationship with Antonio Banfi and His Milanese Entourage","authors":"Barbara Olla","doi":"10.1080/02614340.2021.1987762","DOIUrl":null,"url":null,"abstract":"ABSTRACT This study aims to add new evidence to the complex relationship between Gadda and philosophy in the years after his formal abandonment of university study at the Università Statale in Milan in 1929. The examination of published and unpublished material held in the Fondo Roscioni at the Archivi della Trivulziana (Milan) and in the Archivio Contemporaneo Alessandro Bonsanti (Florence) allows us to redefine the chronological limits of Gadda’s philosophical vocation and to outline a previously unknown relationship between the writer and the Milanese academic and philosophical circles of the 1930s and early 1940s (Antonio Banfi; Luciano Anceschi; Raffaele De Grada; Enzo Paci; Elio Vittorini; Giansiro Ferrata; Alberto Vigevani). The last part of this study will focus on the theoretical impact the Milanese academic ‘school’ may have had on Gadda’s aesthetics.","PeriodicalId":42720,"journal":{"name":"Italianist","volume":"41 1","pages":"78 - 96"},"PeriodicalIF":0.3000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Italianist","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/02614340.2021.1987762","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT This study aims to add new evidence to the complex relationship between Gadda and philosophy in the years after his formal abandonment of university study at the Università Statale in Milan in 1929. The examination of published and unpublished material held in the Fondo Roscioni at the Archivi della Trivulziana (Milan) and in the Archivio Contemporaneo Alessandro Bonsanti (Florence) allows us to redefine the chronological limits of Gadda’s philosophical vocation and to outline a previously unknown relationship between the writer and the Milanese academic and philosophical circles of the 1930s and early 1940s (Antonio Banfi; Luciano Anceschi; Raffaele De Grada; Enzo Paci; Elio Vittorini; Giansiro Ferrata; Alberto Vigevani). The last part of this study will focus on the theoretical impact the Milanese academic ‘school’ may have had on Gadda’s aesthetics.
摘要本研究旨在为加达1929年在米兰国立大学正式放弃大学学习后的几年里与哲学之间的复杂关系提供新的证据。对已出版和未出版的材料进行审查,这些材料分别在米兰的三武齐亚纳美术馆(Archivi della Trivulziana)和佛罗伦萨的当代美术馆Alessandro Bonsanti举办,使我们能够重新定义加达哲学职业的时间限制,并勾勒出作家与当时的米兰学术界和哲学界之间以前未知的关系20世纪30年代和40年代初(安东尼奥·班菲;卢西亚诺·安切斯基;拉菲尔·德·格拉达;恩佐·帕西;埃利奥·维托里尼;詹西罗·费拉塔;阿尔贝托·维格瓦尼)。本研究的最后一部分将关注米兰学术“学派”可能对加达美学产生的理论影响。