Exploring the lived experiences of young autistic adults in Nordoff-Robbins music therapy: An interpretative phenomenological analysis

IF 1.6 4区 医学 Q2 REHABILITATION
Ming Yuan Low, K. Mcferran, Michael Viega, A. Carroll-Scott, E. McGhee Hassrick, J. Bradt
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Abstract

ABSTRACT Introduction Research in music therapy and autistic people to date has predominantly focused on communication and social interaction outcomes. The purpose of this exploration was to explore the lived experiences of young autistic adults in Nordoff-Robbins Music Therapy. To our knowledge, the body of research that seeks to understand participants’ perspectives regarding their experiences of music therapy and the goals they want to pursue is limited. Method Four autistic young adult men who had received at least 6 months of Nordoff-Robbins music therapy services at the Nordoff-Robbins Center for Music Therapy at New York University participated in this study. Each participant engaged in four to five interview sessions to share their experiences of Nordoff-Robbins Music Therapy and the role it plays in their life. Interviews were analyzed using the IPA method. A summary of the results was shared with each participant to ensure sensitivity to and accuracy of their lived experiences. Results Three themes emerged from the analysis: (1) Participants attend Nordoff-Robbins music therapy to develop their musicianship and personal selves; (2) participants create meaningful relationships with their peers, music therapists, and music; and (3) participants bring their sociocultural identities into music therapy sessions. Discussion Participants’ responses led to a critical reexamining of “the music child”, challenging music therapy research and practice agendas of normalizing autistic social and communication behaviors, and suggest the need for more research that collaborates and centers the autistic community.
探索年轻自闭症成年人在诺道夫·罗宾斯音乐治疗中的生活体验:一种解释性现象学分析
摘要引言迄今为止,音乐治疗和自闭症患者的研究主要集中在沟通和社会互动结果上。这项探索的目的是探索年轻自闭症成年人在诺道夫·罗宾斯音乐疗法中的生活经历。据我们所知,试图了解参与者对音乐治疗体验的看法以及他们想要追求的目标的研究是有限的。方法4名接受过6次以上治疗的自闭症青年男性 纽约大学诺道夫·罗宾斯音乐治疗中心为期数月的诺道夫·罗宾逊音乐治疗服务参与了这项研究。每位参与者参加了四到五次采访,分享他们对诺道夫·罗宾斯音乐疗法的体验及其在生活中所扮演的角色。访谈采用IPA方法进行分析。每个参与者都会分享一份结果摘要,以确保他们对生活经历的敏感性和准确性。结果分析得出三个主题:(1)参与者参加诺道夫·罗宾斯音乐治疗是为了发展他们的音乐才能和个人自我;(2) 参与者与同伴、音乐治疗师和音乐建立有意义的关系;以及(3)参与者将他们的社会文化身份带入音乐治疗课程。讨论参与者的反应导致了对“音乐儿童”的批判性重新审视,挑战了音乐治疗研究和使自闭症社交和沟通行为正常化的实践议程,并表明需要更多的研究来合作和集中自闭症社区。
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来源期刊
CiteScore
3.50
自引率
12.50%
发文量
45
期刊介绍: Nordic Journal of Music Therapy (NJMT) is published in collaboration with GAMUT - The Grieg Academy Music Therapy Research Centre (Uni Health and University of Bergen), with financial support from Nordic Board for Periodicals in the Humanities and Social Sciences and in co-operation with university programs and organizations of music therapy in the Nordic and Baltic countries. The Nordic Journal of Music Therapy serves the international community of music therapy by being an avenue for publication of scholarly articles, texts on practice, theory and research, dialogues and discussions, reviews and critique. Publication of the journal is based on the collaboration between the music therapy communities in the five Nordic countries of Denmark, Finland, Iceland, Norway and Sweden and the three Baltic Countries of Estonia, Latvia and Lithuania. This international but still regional foundation offers a platform for development of communication with the broader international community of music therapy. Scholars from all over the world are welcomed to write in the journal. Any kind of scholarly articles related to the field of music therapy are welcomed. All articles are reviewed by two referees and by the editors, to ensure the quality of the journal. Since the field of music therapy is still young, we work hard to make the review process a constructive learning experience for the author. The Nordic Journal of Music Therapy does not step aside from active engagement in the development of the discipline, in order to stimulate multicultural, meta-theoretical and philosophical discussions, and new and diverse forms of inquiry. The journal also stimulates reflections on music as the medium that defines the discipline. Perspectives inspired by musicology and ethnomusicology are therefore welcomed.
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