On the relative sonority of PIE /m/

Q1 Arts and Humanities
N. Zair
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引用次数: 1

Abstract

Cooper (2013: 11–12, 2015: 317–320) suggests that /m/ was less sonorous in PIE than /l/, /r/, and /n/. This article discusses the evidence proposed for this analysis and puts forward some further evidence, of differing degrees of strength, from Sanskrit, Oscan, Venetic, Celtic and Greek. It concludes that there is some evidence for a lower sonority of /m/ than /l/, /n/ and /r/ in Greek and Sanskrit, but that the evidence for other languages is inconclusive. There are a number of instances in which /m/ patterns with plosives rather than the other sonorants in a number of other contexts, whose relevance to questions of sonority, however, is not clear. Overall, it is plausible that /m/ may have had a lower sonority than the other sonorants in PIE, but this is not necessarily the explanation for all its odd behaviour relative to the other sonorants in PIE and its descendant languages.
论PIE /m/的相对响度
Cooper(2013: 11 - 12,2015: 317-320)认为/m/在PIE中的发音不如/l/, /r/和/n/。本文讨论了为这一分析提出的证据,并从梵语、奥斯坎语、威尼斯语、凯尔特语和希腊语中提出了一些不同程度的进一步证据。它的结论是,有一些证据表明,在希腊语和梵语中,/m/的发音比/l/、/n/和/r/的发音要低,但其他语言的证据并不确凿。在许多其他上下文中,/m/模式中有爆破音而不是其他的辅音,然而,这些辅音与音高问题的相关性并不清楚。总的来说,/m/可能比PIE中的其他辅音有更低的响度,这是合理的,但这并不一定能解释它相对于PIE及其后代语言中的其他辅音的所有奇怪行为。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Indo-European Linguistics
Indo-European Linguistics Arts and Humanities-History
CiteScore
1.10
自引率
0.00%
发文量
5
审稿时长
20 weeks
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