“Petticoat Fever” Driven by Chosŏn Korea Garments: Exploring a “fad” in Early Ming China and Its Implications for Regional Interactions between the Chosŏn and Ming Dynasties

IF 0.2 Q2 HISTORY
Do-young Koo
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引用次数: 0

Abstract

In the fifteenth century, Chosŏn Korean clothes were exported to the Jiangnan (江南) region in Ming China and became very popular among wealthy Chinese people. This was the so-called “Petticoat Fever”. This horsehair petticoat (Mamigun 馬尾裙) gave the wardrobe a fashionable silhouette by supporting and fully spreading the outer skirt. Literati wore them, too. Mamigun fashion, which once enjoyed great popularity in the Jiangnan area, disappeared after it was prohibited during the Ming period due to a change in power and a transition in policymaking. On the other hand, this study is also significant in that it corrects errors in the study of art history in Ming Dynasty. This study analyzed in detail "Ming Emperor Xianzong's Tour of the Lantern Festival(明憲宗元宵行樂圖)" in the collection of the National Museum of China. I argued that the picture was not a royal court painting (宮中畵), drawned in Beijing, but a piece painted in the Jiangnan area of the Ming dynasty. The artist adopted the mamigun fashion widely enjoyed in the region at the moment in order to express the most splendid and glamourous adornments one could imagine in the place of entertainment for the emperor during the Lantern Festival. "Ming Emperor Xianzong's Tour of the Lantern Festiva" is a clue to the customs and fashion culture of the Jiangnan area of Ming Dynasty in the 15th century. Many works of scholarship in Korea-China relations have tended to argue that culture and trade between Chosŏn and Ming Dynasties in the 15th century were exchanged only through envoys between Seoul of Chosŏn and Beijing of Ming. Mamigun is an interesting topic that gives us insight into the cultural exchange between the Chosŏn and Ming and can also be described as an episode that involves Cheju Island of Chosŏn and Jiangnan region of Ming, both regions that were marginal within Korea-China relations. This study will contribute to extending the scope of the history of exchange between Chosŏn Korea and Ming China by taking a broader perspective.
Chosŏn朝鲜服饰推动的“衬裙热”:中国明初的“风尚”及其对Chosŏn与明朝区域互动的启示
在15世纪,Chosŏn朝鲜服装出口到中国明朝的江南地区,并在中国富人中非常流行。这就是所谓的“衬裙热”。这条马毛衬裙(Mamigun)通过支撑和充分伸展外裙,给衣柜增添了时尚的轮廓。文人也戴。曾经风靡江南地区的马君服饰,在明朝时期因政权更迭和政策转变而被禁止后,便销声匿迹了。另一方面,这一研究也对明代艺术史研究中的错误进行了修正。本研究详细分析了中国国家博物馆收藏的《明宪宗游灯会》。我争辩说,这幅画不是在北京绘制的宫廷画(畵),而是在明朝江南地区绘制的一幅画。艺术家采用了当时在该地区广泛流行的马明风尚,以表达人们在元宵节期间为皇帝娱乐的场所所能想象到的最华丽、最迷人的装饰。《明宪宗游灯会》是15世纪明朝江南地区风俗和时尚文化的线索。有关韩中关系的很多学术著作都倾向于认为,在15世纪,Chosŏn和明朝之间的文化和贸易只是通过Chosŏn的首尔和明朝的北京之间的使节进行交流。《马国君》是了解Chosŏn与明朝文化交流的有趣话题,也可以被描述为涉及在韩中关系中处于边缘地位的Chosŏn济州岛和明朝江南地区的一集。此次研究将以更广阔的视角,为扩大Chosŏn韩国与明朝之间的交流史做出贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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