Development of methods and concepts of sports ballroom dances in the conditions of distance learning in Ukraine during 2010s — early 2020s

К. Shkurieiev
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Abstract

The purpose of the study is to comprehend the experience of interactive distance learning with sports ballroom dance through the prism of the culturological approach through the development of the tournament-training process and finding out the place and role of this type of choreography in modern Ukrainian culture. The metodology. The research methodology is based on a culturological approach. Traditional methods of art history are used — description, observation, systematization of facts, statistical method is also used. The results. Modern information technologies in combination with coaching experience allow to save students’, club, local choreographic culture even in martial law, if you practice meaningful dancing. New realities even expand the possibilities of technical self-improvement and development of creative potential, shifting attention to the theoretical foundations of dance and tournament practice. At the same time, in the conditions of suspension of the usual dance life, the dominance of socializing and hedonistic functions of sports ballroom choreography at the expense of others — cognitive, aesthetic, regulatory, semiotic, communicative — was revealed. The scientific novelty. The author’s system experience of interactive distance learning in sports ballroom dancing was highlighted and analyzed, the functions of sports ballroom dancing are specified, in particular club-tournament activity in the formation of personality. Motivation to dance depending on the age of students is determined. Prospects for the development of the training process are outlined, taking into account the experience of distance learning. The practical significance. The experience of distance learning in the new conditions of 2010s — early 2020s in Ukraine opens the way to improve the concept of this sport, the practice of both group and individual classes by fundamentalizing and understanding this activity in the broader dimensions of the cultural process. Some provisions of the article can be used in educational and special courses in ballroom choreography, theory and methods of dance sports, pedagogy, history of Ukrainian culture.
2010年代至2020年代初乌克兰远程学习条件下体育交际舞方法和概念的发展
本研究的目的是通过比赛训练过程的发展,通过文化学方法的棱镜来理解体育交际舞互动远程学习的经验,并找出这种舞蹈在现代乌克兰文化中的地位和作用。metodology。研究方法基于文化学方法。使用传统的艺术史方法——描述、观察、事实系统化,也使用统计方法。结果。如果你练习有意义的舞蹈,现代信息技术与教练经验相结合可以拯救学生、俱乐部和当地的舞蹈文化,即使在戒严期间也是如此。新的现实甚至扩大了技术自我完善和创造力潜力开发的可能性,将注意力转移到舞蹈和锦标赛实践的理论基础上。与此同时,在日常舞蹈生活暂停的条件下,体育舞厅舞蹈的社交和享乐功能的主导地位以牺牲他人为代价——认知、审美、调节、符号学、交际——得以显现。科学的新颖性。着重分析了笔者在体育交际舞中进行交互式远程学习的系统经验,明确了体育交际舞的功能,特别是俱乐部锦标赛活动在个性形成中的作用。跳舞的动机取决于学生的年龄。考虑到远程学习的经验,概述了培训进程的发展前景。现实意义。在2010年代的新条件下,即20世纪20年代初,乌克兰的远程学习经验为改善这项运动的概念,通过在文化过程的更广泛层面上建立和理解这项活动,团体和个人班级的实践开辟了道路。该条的一些规定可用于交际舞编排、舞蹈运动理论和方法、教育学、乌克兰文化史的教育和特殊课程。
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