Sustaining Attention to Climate Change

IF 0.1 4区 文学 0 LITERATURE
Sarah Dimick
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引用次数: 0

Abstract

n The Ants and the Grasshopper, a 2021 documentary film, Malawian farmer Anita Chitaya travels through the American heartland, discussing the climate crisis with her fellow agriculturalists.1 In Iowa, she sits down for lunch with the Jacksons, who listen―over steaming dishes of homegrown vegetables―to her account of increasing drought in southeastern Africa. Politely but resolutely, the Jackson family insists that climate change is a political agenda rather than an environmental reality. Yes, they also have noticed erratic weather on their farm, but they attribute it to natural variation. To my mind, this scene is among the most quietly devastating in recent cinema: after traveling thousands of miles to advocate for her community’s livelihood, Chitaya is met with staunch climate denialism. She looks down at her empty plate, at the remnants of what I imagine was potato salad. The Jacksons are expert practitioners of what Min Hyoung Song calls everyday denial, “an arduously willed state of refusal to acknowledge something that otherwise exists in plain sight” (28). Each recordbreaking temperature is excused as anomaly, each crop failure is understood as misfortune. As Song notes, “[b]ecause of its repetition, everyday denial can be remarkably durable. It can be
持续关注气候变化
在2021年的纪录片《蚂蚁与蚱蜢》中,马拉维农民安妮塔·奇塔亚穿越美国心脏地带,与她的农业伙伴们讨论气候危机。1在爱荷华州,她与杰克逊一家坐下来吃午饭,他们边吃着蒸菜边听她讲述非洲东南部日益严重的干旱。杰克逊家族礼貌但坚决地坚持认为,气候变化是一个政治议程,而不是环境现实。是的,他们也注意到农场的天气不稳定,但他们将其归因于自然变化。在我看来,这一幕是最近电影中最具破坏性的一幕:在千里迢迢为社区生计辩护后,奇塔娅遭到了坚决的气候否认。她低头看着她的空盘子,看着我想象中剩下的土豆沙拉。杰克逊夫妇是Min Hyoung Song所说的日常否认的专业实践者,“一种意志坚定的拒绝承认显而易见的东西的状态”(28)。每一次破纪录的温度都被认为是异常,每一次作物歉收都被理解为不幸。正如宋所指出的,“由于它的重复,每天的否认都是非常持久的
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
15
期刊介绍: Contemporary Literature publishes scholarly essays on contemporary writing in English, interviews with established and emerging authors, and reviews of recent critical books in the field. The journal welcomes articles on multiple genres, including poetry, the novel, drama, creative nonfiction, new media and digital literature, and graphic narrative. CL published the first articles on Thomas Pynchon and Susan Howe and the first interviews with Margaret Drabble and Don DeLillo; we also helped to introduce Kazuo Ishiguro, Eavan Boland, and J.M. Coetzee to American readers. As a forum for discussing issues animating the range of contemporary literary studies, CL features the full diversity of critical practices.
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