Healing the Past: Recovery of Chinese Cultural Objects Lost during the Colonial Era

Q2 Arts and Humanities
R. Chen
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引用次数: 0

Abstract

This article focuses on the colonial context of China, which led to a monumental loss of Chinese cultural objects by three means: looting and plundering; cultural expeditions; and illicit trafficking. The loss of cultural objects caused severe deprivation to the country of origin (i.e. China) from the perspective of culture, and active decolonization could helpheal the wounds and rebuild the cultural independency of China.In order to recover cultural objects removed during the colonial era, at the present time countries of origin are faced with difficulties at two levels. In terms of provenance research, the history and ownership trajectory of the cultural objects is difficult to establish in light of the fact that significant time has elapsed. In terms of legal claims, evidence needs to be collected in order to prove the original ownership, while at the same time issues of private law create obstacles to claims. Moreover, current international conventions fail to provide a legally-binding obligation on the part of current possessors to return objects lost due to colonialism. This article proposes mutual respect for cultural sovereignty as a way to make up for the absence of cultural sovereignty during past colonizations.
治愈过去:找回在殖民时期丢失的中国文物
这篇文章聚焦于中国的殖民语境,它通过三种方式导致了中国文物的巨大损失:掠夺和掠夺;文化考察;以及非法贩运。文物的流失从文化的角度对原籍国(即中国)造成了严重的剥夺,积极的去殖民化有助于治愈创伤,重建中国的文化独立。为了恢复在殖民时期被移走的文物,目前原籍国面临着两个层面的困难。在来源研究方面,文物的历史和所有权轨迹很难确定,因为时间已经过去了很长时间。在法定请求权方面,需要收集证据以证明原始所有权,同时私法问题又为请求权设置了障碍。此外,目前的国际公约没有规定目前的占有人归还因殖民主义而丢失的物品的具有法律约束力的义务。本文提出相互尊重文化主权是弥补过去殖民时期文化主权缺失的一种方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
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0.00%
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