Aesthetic Modes of the Infinite: Horror, Sublimity, and Relationality

IF 0.1 3区 文学 0 LITERARY THEORY & CRITICISM
Patricia García
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引用次数: 0

Abstract

Abstract:What is the relationship between philosophical understandings of the infinite and their narrative expressions? This article explores the infinite in two aesthetic paradigms: the horror of the infinite in classical Greece, and Romanticism's glorification of the unlimited. It argues that these two approaches paved the way for a third, a "relational infinite" that emerged in the second half of the twentieth century. To illustrate this third paradigm, I draw on the works of Argentine author Jorge Luis Borges and on other fictions of the fantastic genre that make the boundless and endless a key element of the plot.
无限的审美模式:恐怖、崇高与关联
摘要:哲学对无限的理解与其叙事表达之间有什么关系?本文探讨了两种美学范式中的无限:古典希腊对无限的恐惧和浪漫主义对无限的赞美。它认为,这两种方法为第三种方法铺平了道路,即20世纪下半叶出现的“关系无限”。为了说明这第三种范式,我借鉴了阿根廷作家豪尔赫·路易斯·博尔赫斯的作品和其他奇幻类型的小说,这些小说使无限和无尽成为情节的关键元素。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
18
期刊介绍: For more than a quarter century, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers a constant source of fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy. Philosophy and Literature challenges the cant and pretensions of academic priesthoods by publishing an assortment of lively, wide-ranging essays, notes, and reviews that are written in clear, jargon-free prose. In his regular column, editor Denis Dutton targets the fashions and inanities of contemporary intellectual life.
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