{"title":"Narrative structures in Colombian fictional web series published on YouTube","authors":"Diego F. Montoya-Bermúdez, María T. Soto-Sanfiel","doi":"10.1386/josc_00123_1","DOIUrl":null,"url":null,"abstract":"This research seeks to contribute to knowledge of the structural characteristics and narrative complexity that define the web series format. To do so, we look at the case of Colombia’s prolific web series production, undertaken by professional and amateur producers and promoted by institutional and educational programmes. This research analyses the structure of 26 productions (thirteen professional, thirteen amateur) using a mixed-methods approach and an exploratory-descriptive scope. It uses analytical tools created inspired by narratology. Specifically, it offers data that allow us to develop the definition of web series: characteristics of their plots, characters, aspects of narration (time, mood, voice) and forms of endings. The results indicate that Colombian web series mostly present traditional serialized narrative structures and plot simplicity. They have linear, chronological and elliptical narratives developed in the present tense. They also tend to tell a single narrative, albeit through different stories, and leave open endings. Finally, there are only slight differences in these aspects between the two types of producers. These results, based on a specific geographical and industrial context, contribute to knowledge of web series form and its relationship to conventional serialized fiction.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Screenwriting","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/josc_00123_1","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
This research seeks to contribute to knowledge of the structural characteristics and narrative complexity that define the web series format. To do so, we look at the case of Colombia’s prolific web series production, undertaken by professional and amateur producers and promoted by institutional and educational programmes. This research analyses the structure of 26 productions (thirteen professional, thirteen amateur) using a mixed-methods approach and an exploratory-descriptive scope. It uses analytical tools created inspired by narratology. Specifically, it offers data that allow us to develop the definition of web series: characteristics of their plots, characters, aspects of narration (time, mood, voice) and forms of endings. The results indicate that Colombian web series mostly present traditional serialized narrative structures and plot simplicity. They have linear, chronological and elliptical narratives developed in the present tense. They also tend to tell a single narrative, albeit through different stories, and leave open endings. Finally, there are only slight differences in these aspects between the two types of producers. These results, based on a specific geographical and industrial context, contribute to knowledge of web series form and its relationship to conventional serialized fiction.
期刊介绍:
The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.