Dealing with Austria’s dark heritage and contemporary extremism. Peter Patzak’s adaptation of Helmut Zenker’s «Kassbach» (1979)

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
J. Gortat
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引用次数: 0

Abstract

This essay explores one of the films which dealt with the above-mentioned topics and had its cinematic release in the period under discussion – Kassbach, an adaptation of Helmut Zenker’s novel, which was made by Peter Patzak, a prominent Austrian director who passed away in 2021. In this respect, Kassbach would be a work that preceded numerous other Austrian films with a cinematic release in the 1980s and which, even before the Waldheim affair, would touch upon Austria’s difficult past. This article focuses on the film’s message that the lack of de-Nazification at the time, understood not only as a political and bureaucratic, but also as a psychological and social process, facilitates the establishment of right-wing radicalism.
处理奥地利的黑暗遗产和当代极端主义。Peter Patzak改编自Helmut Zenker的《卡斯巴赫》(1979)
本文探讨了一部涉及上述主题并在讨论期间上映的电影——《卡斯巴赫》,该片改编自赫尔穆特·曾克的小说,由2021年去世的奥地利著名导演彼得·帕特扎克执导。在这方面,《卡斯巴赫》将是一部在20世纪80年代上映的众多其他奥地利电影之前的作品,即使在瓦尔德海姆事件之前,它也将触及奥地利艰难的过去。这篇文章聚焦于电影传达的信息,即当时缺乏去纳粹化,不仅被理解为一种政治和官僚,而且被理解为心理和社会过程,助长了右翼激进主义的形成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studia Austriaca
Studia Austriaca HUMANITIES, MULTIDISCIPLINARY-
自引率
0.00%
发文量
2
审稿时长
10 weeks
期刊介绍: “Studia austriaca” (e-ISSN 2385-2925) is an international journal devoted to the study of Austrian culture and literature. It is published annually, in the spring, as an online, open access, peer-reviewed journal hosted by Università degli Studi di Milano under OJS (Open Journal Systems). The international character of the journal is emphasized by the breadth of its Editorial Board and by the commitment to publish essays not only in German and Italian, but also in English and other European languages.
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