"I Am Always Met at the River": Revisiting This Bridge Called My Back

IF 0.5 3区 社会学 Q3 WOMENS STUDIES
P. Jones-Torregrosa
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引用次数: 0

Abstract

Abstract:This essay is both a personal meditation upon This Bridge Called My Back's significance in my life and a theoretical proposition for a new way of reading the text. Following the work of Marissa K. López, I propose a speculative reading of This Bridge as an event. I argue that This Bridge is not a stable representation of the past; instead, every reading of This Bridge is an encounter with an unstable object in the process of becoming. Pursuing a speculative reading of entries by Cherríe Moraga, Toni Cade Bambara, hattie gossett, Gloria Anzaldúa, and Kate Rushin reveals the ways in which This Bridge continues to theorize about the nature of collectivity. I turn to Wai Chee Dimock's work to elaborate the interactions between reader and text that render This Bridge an everchanging object. If This Bridge is read as an event, I insist that the time of This Bridge is always now.
“我总是在河边遇见”:重温这座呼唤我的桥
摘要:这篇文章既是对《这座叫我背的桥》在我生命中的意义的一次个人思考,也是对一种新的文本阅读方式的一次理论命题。继Marissa K.López的工作之后,我建议将《这座桥》作为一个事件进行推测性阅读。我认为,这座桥并不是对过去的稳定再现;相反,《这座桥》的每一次阅读都是在成为过程中遇到一个不稳定的物体。对Cherríe Moraga、Toni Cade Bambara、hattie gossett、Gloria Anzaldúa和Kate Rushin的作品进行推测性阅读,揭示了这座桥继续对集体性质进行理论化的方式。我转向Wai Chee Dimock的作品来阐述读者和文本之间的互动,这些互动使《这座桥》成为一个不断变化的对象。如果这座桥被解读为一个事件,我坚持认为这座桥的时间总是现在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Feminist Studies
Feminist Studies Social Sciences-Gender Studies
CiteScore
1.60
自引率
0.00%
发文量
29
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