The Evolution of Haunted Space in Scotland

IF 0.2 N/A HUMANITIES, MULTIDISCIPLINARY
Martha McGill
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引用次数: 0

Abstract

This article explores the popularisation of the concept of haunted space in late eighteenth- and nineteenth-century Scotland. While earlier ghost stories were usually about the haunting of people, the rise of Gothic and Romantic literary aesthetics fuelled a new interest in both the Scottish landscape, and the dramatic potential of lurking spectres. Amid the upheaval of industrialisation and the Highland Clearances, and in a period when Scots were still wrestling with the implications of the 1707 Union, authors recorded stories of wandering ghosts as part of a broader movement to fashion a distinctive identity rooted in a specific cultural context. Against the frequently broad scope of academic literature on spectrality, this article draws attention to the crucial significance of contextual nuances and specific historical and social circumstances. In particular, it points to the fraught politics of loss and repossession in relation to the Highlands’ history of depopulation and modernisation, casting a fresh light on the historical events that have given shape to Scottish haunted space.
苏格兰闹鬼空间的演变
本文探讨了闹鬼空间概念在18世纪末和19世纪苏格兰的普及。虽然早期的鬼故事通常是关于人们挥之不去的故事,但哥特式和浪漫主义文学美学的兴起激发了人们对苏格兰景观和潜在幽灵的戏剧性潜力的新兴趣。在工业化和高地清理的剧变中,在苏格兰人仍在努力应对1707年联邦的影响的时期,作者们记录了流浪鬼的故事,作为一场更广泛的运动的一部分,以形成植根于特定文化背景的独特身份。鉴于学术文献中关于幽灵性的范围往往很广,本文提请注意上下文细微差别以及特定的历史和社会环境的关键意义。特别是,它指出了与高地人口减少和现代化历史有关的令人担忧的损失和收回政治,为塑造苏格兰闹鬼空间的历史事件提供了新的视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Gothic Studies
Gothic Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word.
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