{"title":"Teaching artist preparation and professional development: perspectives from the youth orchestra Los Angeles (YOLA) program","authors":"Grecia Serrano Navarro, Mike Vecchio","doi":"10.1080/10632913.2022.2034690","DOIUrl":null,"url":null,"abstract":"Abstract Professional development can help to ensure teaching artists have the requisite knowledge and skills to lead effective instruction. However, the specific format of professional development can vary. One organization that provides professional development for their teaching artists is the Youth Orchestra Los Angeles (YOLA) program, which is an El Sistema-inspired program. In many communities there is a lack of access to a quality music education, and El Sistema-inspired programs attempt to provide opportunities for access to musical experiences through private lessons and large ensemble settings. Grecia Serrano Navarro provides a unique perspective concerning El Sistema-inspired programs, as well as the backgrounds, preparation, and professional development of teaching artists. Her story outlines her experiences of pursuing classical music study in high school, earning a degree in music education, her public school teaching experience, and her current role as a provider of professional development for teaching artists at YOLA. Through examining Grecia’s experiences, along with related literature providing contextual support for her perspective, the role of El Sistema-inspired programs is considered, including the structures of support that these programs provide aspiring musicians. The varied paths of preparation and professional development for teaching artists who work for El Sistema-inspired programs are also examined, including the impact of music teacher education on the field of teaching artistry.","PeriodicalId":37632,"journal":{"name":"Arts Education Policy Review","volume":"124 1","pages":"94 - 101"},"PeriodicalIF":0.0000,"publicationDate":"2022-02-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arts Education Policy Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10632913.2022.2034690","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Professional development can help to ensure teaching artists have the requisite knowledge and skills to lead effective instruction. However, the specific format of professional development can vary. One organization that provides professional development for their teaching artists is the Youth Orchestra Los Angeles (YOLA) program, which is an El Sistema-inspired program. In many communities there is a lack of access to a quality music education, and El Sistema-inspired programs attempt to provide opportunities for access to musical experiences through private lessons and large ensemble settings. Grecia Serrano Navarro provides a unique perspective concerning El Sistema-inspired programs, as well as the backgrounds, preparation, and professional development of teaching artists. Her story outlines her experiences of pursuing classical music study in high school, earning a degree in music education, her public school teaching experience, and her current role as a provider of professional development for teaching artists at YOLA. Through examining Grecia’s experiences, along with related literature providing contextual support for her perspective, the role of El Sistema-inspired programs is considered, including the structures of support that these programs provide aspiring musicians. The varied paths of preparation and professional development for teaching artists who work for El Sistema-inspired programs are also examined, including the impact of music teacher education on the field of teaching artistry.
期刊介绍:
Arts Education Policy Review ( AEPR) presents discussion of major policy issues in arts education in the United States and throughout the world. Addressing education in music, visual arts, theatre, and dance, the journal presents a variety of views and emphasizes critical analysis. Its goal is to produce the most comprehensive and rigorous exchange of ideas available on arts education policy. Policy examinations from multiple viewpoints are a valuable resource not only for arts educators, but also for administrators, policy analysts, advocacy groups, parents, and audiences—all those involved in the arts and concerned about their role in education. AEPR focuses on analyses and recommendations focused on policy. The goal of any article should not be description or celebration (although reports of successful programs could be part of an article). Any article focused on a program (or programs) should address why something works or does not work, how it works, how it could work better, and most important, what various policy stakeholders (from teachers to legislators) can do about it. AEPR does not promote individuals, institutions, methods, or products. It does not aim to repeat commonplace ideas. Editors want articles that show originality, probe deeply, and take discussion beyond common wisdom and familiar rhetoric. Articles that merely restate the importance of arts education, call attention to the existence of issues long since addressed, or repeat standard solutions will not be accepted.