Robert K. Beshara, Freud and Said: Contrapuntal Psychoanalysis as Liberation Praxis

Pub Date : 2023-04-01 DOI:10.3366/pah.2023.0457
D. Gaztambide
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Abstract

Chapter 3 presents an apotheosis of sorts, in which Beshara works through Said's I Orientalism i within and beyond the text, noting how 'Freud (who undoubtedly influenced Said) is, more or less, repressed in the text' itself (p. 113). Third, while Beshara positions his work as a critique of racialized capitalism, he seems to return to culture as the primary site of critique, stating for example that '[c]ultural resistance is essential in contrapuntal psychoanalysis' (p. 128). In chapter 2, "Beginnings", Beshara accomplishes this with style and aplomb, tracing Freud's influence on Said's work, the namesake of this chapter. [Extracted from the article] Copyright of Psychoanalysis & History is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full . (Copyright applies to all s.)
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罗伯特·贝沙拉,弗洛伊德与赛义德:作为解放实践的矛盾心理分析
第3章呈现了某种神化,其中贝沙拉通过赛义德的《我的东方主义》在文本内外进行创作,注意到“弗洛伊德(无疑影响了赛义德)或多或少地在文本中被压抑”(第113页)。第三,虽然贝沙拉将他的作品定位为对种族化资本主义的批判,但他似乎回到了文化作为批判的主要场所,例如,他指出“文化抵抗在对位精神分析中是必不可少的”(第128页)。在第二章“开端”中,贝沙拉沉着冷静地完成了这一任务,追溯了弗洛伊德对本章同名作品赛义德的影响。【摘自文章】《心理分析与历史》的版权归爱丁堡大学出版社所有,未经版权持有人明确书面许可,不得将其内容复制或通过电子邮件发送到多个网站或发布到listserv。但是,用户可以打印、下载或通过电子邮件发送文章供个人使用。这可能会被删节。对复印件的准确性不作任何保证。用户应参考材料的原始发布版本以获取完整信息。(版权适用于所有人。)
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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