To preserve and to protect vanishing signs: activism through art, ethnography, and linguistics in a gentrifying city

IF 1.6 2区 文学 Q2 COMMUNICATION
Edward K. Snajdr, Shonna Trinch
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引用次数: 2

Abstract

ABSTRACT This article explores how a semiotics of the artistic aesthetics of New York City storefronts is deployed as activism against processes of gentrification and redevelopment. We examine how this creative endeavor by two local photographers compares to our own ethnographic and linguistic interventions uncovering and addressing storefront signage in gentrifying Brooklyn. We also compare this art activism to the ways in which developers and nations use art in various ways in the service of their placemaking goals. In doing so, we highlight both the innovative power of artistic framing to preserve and protect storefronts as salvage anthropology as well as the limits of this effort. We conclude with a discussion of how ethnography and activist art can yield different, yet critical mobilizations in the pursuit of maintaining multicultural communities and diversity in the neo-liberalizing city.
保存和保护正在消失的标志:在一个绅士化的城市中通过艺术、民族志和语言学的行动主义
摘要本文探讨了纽约市店面艺术美学的符号学是如何被部署为反对士绅化和重建过程的激进主义。我们研究了两位当地摄影师的这一创造性努力与我们自己的民族志和语言干预相比如何,揭示和解决布鲁克林中产阶级化的店面标志。我们还将这种艺术激进主义与开发商和国家以各种方式使用艺术来服务于其场所制作目标的方式进行了比较。在这样做的过程中,我们既强调了艺术框架作为抢救人类学来保护店面的创新力量,也强调了这一努力的局限性。最后,我们讨论了民族志和活动家艺术如何在新自由化城市中产生不同但关键的动员,以维护多元文化社区和多样性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Social Semiotics
Social Semiotics Multiple-
CiteScore
4.80
自引率
5.00%
发文量
43
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