Stephen Rose, Musical Authorship from Schütz to Bach. Cambridge: Cambridge University Press, 2019. XVI + 243 pp. ISBN 978-1-108-42107-2.

IF 0.2 1区艺术学 0 MUSIC

EARLY MUSIC HISTORY Pub Date : 2021-10-01 DOI:10.1017/S026112792100005X

David Lee

引用次数: 0

Abstract

enduring fascination with specialised and particular local histories. Put bluntly: why might anyone read a whole book about a community of long-deceased canons in a small European town? I’m not sure Kirkman has the most persuasive answers to offer here. For me the book gives a little too much weight in this regard to rhetorical gestures: seeing through windows to distant pasts (p. 3) or hearing distant echoes (p. 276), finding ‘patterns of interaction that are essentially timeless and : : : timelessly absorbing’ (p. 4), or, perhaps most difficult of all, his evocation of walking into the collegiate church as ‘com[ing] home’ (p. 21). Our desire for the past is something that is always time-full, located in our particular histories, and we do need to reflect in depth, moving beyond the antiquarian, if we are to understand the problems surrounding those desires (for home – but what is home?) and the possibilities for future action and engagement in the world that our scholarship promotes.

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斯蒂芬·罗斯，从施茨到巴赫的音乐作者。剑桥:剑桥大学出版社，2019。XVI + 243页。ISBN 978-1-108-42107-2。

对专业和特定的当地历史的持久迷恋。坦率地说：为什么有人会读一整本关于欧洲小镇上一个已故牧师社区的书？我不确定柯克曼是否有最有说服力的答案。对我来说，这本书在这方面有点过于重视修辞手势：透过窗户看到遥远的过去（第3页）或听到遥远的回声（第276页），找到“本质上是永恒的和：：永恒的吸引人的互动模式”（第4页），或者，也许最困难的是，他把走进大学教堂比作“家”（第21页）。我们对过去的渴望总是充满时间的，存在于我们特定的历史中，如果我们要理解围绕这些渴望（对家——但家是什么？）的问题，以及我们的学术所促进的未来行动和参与世界的可能性，我们确实需要深入反思，超越古董商。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

EARLY MUSIC HISTORY MUSIC-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.