Pandemic experimentalism: decentering studio art education in an ongoing global emergency

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
J. Doyle, Simone Jones, Elizabeth Lopez
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引用次数: 0

Abstract

After eighteen months of online art education during the COVID-19 pandemic, the authors consider Form and Time, a required first-year studio art course at OCAD University in Toronto, as a case study within global practices of reconfiguration and experimentalism in art and design pedagogy during the crisis. Form and Time was scheduled to launch as a required first-year course on campus at OCADU in Fall 2020, but quarantine prompted the pivot to fully remote. Critiques of the traditional art school’s situated format were launched before COVID-19 by anti-ableist, Indigenous and feminist scholars, addressing access barriers and stressing resilience in the face of crisis and oppression. The pandemic disrupted the centrality of in-person studios and critique methods in post-secondary art education; this accelerated and took unexpected turns during the online pedagogical experiments of the early pandemic. In this context, Form and Time foreshadows new modes of art school studio delivery, decentering and critically intersecting with studio precedents suddenly disrupted by remote learning during COVID-19. Form and Time’s weekly asynchronous video lectures and online meetings probed themes of Space, Form and Time. Students posted weekly studio experiments on discussion boards, using materials close at hand. As with other art and design courses, everyday objects and materials provided a platform for discussing material conditions and encounters during the pandemic. Students depicted their unique surroundings using strategies of observation and walking. They accessed faculty-made online micro-workshops recorded by the various course instructors on home studio material techniques. These comprise a growing online archive shared by faculty teaching the multi-section course. Looking forward, we anticipate further crises. Greater interplay between online, blended and hands-on art studio education will prioritize flexibility that can better adapt to life pressures and emergencies, opening access for a diverse range of learners in decentered locations.
流行病实验主义:在持续的全球紧急情况下分散工作室艺术教育
在新冠肺炎大流行期间进行了18个月的在线艺术教育后,作者将多伦多OCAD大学一年级工作室艺术必修课《形式与时间》视为危机期间艺术和设计教育学重构和实验主义全球实践的一个案例研究。《形式与时间》计划于2020年秋季在OCADU校园内作为一年级必修课程推出,但隔离促使该课程转向完全远程。新冠肺炎爆发前,反对者、土著和女权主义学者对传统艺术学校的情境形式提出了批评,解决了进入障碍,强调了在危机和压迫面前的韧性。疫情破坏了面对面工作室和批评方法在中学后艺术教育中的中心地位;在疫情早期的在线教学实验中,这种情况加速并发生了意想不到的转变。在这种背景下,《形式与时间》预示着艺术学校工作室交付的新模式,偏离中心,并与新冠肺炎期间突然被远程学习打乱的工作室先例批判性地交叉。Form and Time的每周异步视频讲座和在线会议探讨了空间、形式和时间的主题。学生们每周在讨论板上张贴工作室实验,使用手头的材料。与其他艺术和设计课程一样,日常用品和材料为讨论疫情期间的物质条件和遭遇提供了一个平台。学生们使用观察和行走的策略来描绘他们独特的环境。他们访问了教师制作的由各种课程讲师录制的关于家庭工作室材料技术的在线微研讨会。其中包括一个不断增长的在线档案,由教授多节课程的教师共享。展望未来,我们预计会出现进一步的危机。在线、混合和动手艺术工作室教育之间的更大互动将优先考虑能够更好地适应生活压力和紧急情况的灵活性,为分散地点的各种学习者提供机会。
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来源期刊
Artnodes
Artnodes HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
0.00%
发文量
26
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