TumTá and Pisada

Q4 Arts and Humanities
João Tragtenberg, Filipe Calegario, Giordano Cabral, Geber Ramalho
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引用次数: 0

Abstract

This paper presents the development process of TumTá, a wearable Digital Dance and Music Instrument that triggers sound samples from foot stomps and Pisada, a dance-enabled MIDI pedalboard. It was developed between 2012 and 2017 for the use of Helder Vasconcelos, a dancer and musician formed by the traditions of Cavalo Marinho and Maracatu Rural from Pernambuco, Brazil. The design of this instrument was inspired by traditional instruments like the Zabumba and by the gestural vocabulary from Cavalo Marinho, to make music and dance at the same time. The development process of this instrument is described in the three prototyping phases conducted by three approaches: building blocks, artisanal, and digital fabrication. We analyze the process of designing digital technology inspired by Brazilian traditions, present the lessons learned, and discuss future works.
汤塔和比萨达
本文介绍了TumTá的开发过程,这是一种可穿戴的数字舞蹈和音乐乐器,可以触发脚踩踏的声音样本,Pisada是一种支持舞蹈的MIDI踏板。它是在2012年至2017年间为Helder Vasconcelos开发的,Helder Vasconcelos是一名舞者和音乐家,由巴西伯南布哥的Cavalo Marinho和Maracatu Rural的传统组成。这种乐器的设计灵感来自Zabumba等传统乐器和Cavalo Marinho的手势词汇,可以同时制作音乐和舞蹈。该仪器的开发过程分为三个原型阶段,分别采用三种方法:构建块、手工和数字制造。我们分析了受巴西传统启发设计数字技术的过程,介绍了经验教训,并讨论了未来的作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Per Musi
Per Musi Arts and Humanities-Music
CiteScore
0.20
自引率
0.00%
发文量
25
审稿时长
24 weeks
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