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IF 0.2 4区 文学 0 LITERARY THEORY & CRITICISM
Lee Ufan
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引用次数: 0

Abstract

Born in Haman County, Korea, in 1936, Lee Ufan is a leading practitioner and theorist of the Mono-ha School, which emerged in Japan in the 1960s. With his distinct approach and individualistic artistic expression, he has established a unique style of his own that goes beyond such categorization. In his work, Lee leaves areas unmade and produces yohaku (empty spaces and margins), while cutting personal expression to a minimum. This approach draws out the unique tension and stillness of a particular space, a characteristic of his work. Lee lives and works in Paris and Kamakura, Japan. Among many other places, his work is part of the collections at the Centre Pompidou in Paris, the Museum of Modern Art in New York, the Tate Collection in London, the National Museum of Contemporary Art in Seoul, the National Museum of Modern Art in Tokyo, and Queensland Art Gallery in Brisbane.
图像
李宇范1936年出生于韩国哈曼县,是20世纪60年代在日本兴起的莫诺哈派的主要实践者和理论家。他以其独特的方法和个人主义的艺术表达,建立了一种超越这种分类的独特风格。在他的作品中,李留下了未被处理的区域,并产生了yohaku(空白和空白),同时将个人表达降至最低。这种方法展现了特定空间的独特张力和静止,这是他的作品的特点。李在巴黎和日本镰仓生活和工作。在许多其他地方,他的作品是巴黎蓬皮杜中心、纽约现代艺术博物馆、伦敦泰特美术馆、首尔国家当代艺术博物馆、东京国家现代艺术博物馆和布里斯班昆士兰美术馆收藏的一部分。
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来源期刊
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM LITERARY THEORY & CRITICISM-
CiteScore
0.80
自引率
0.00%
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0
期刊介绍: For over thirty years, diacritics has been an exceptional and influential forum for scholars writing on the problems of literary criticism. Each issue features articles in which contributors compare and analyze books on particular theoretical works and develop their own positions on the theses, methods, and theoretical implications of those works.
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