The dead wait: Material afterlives in sepulchral spaces

IF 0.9 3区 社会学 Q3 ANTHROPOLOGY
Jeremy F. Walton
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引用次数: 1

Abstract

This essay examines the heterotopic and heterochronic material afterlives of cemeteries through a comparative focus on two cities of the dead: Zagreb's Mirogoj Cemetery, which was established during the late 19th century, and Thessaloniki's Zeitenlik World War I Military Cemetery, which entombs Allied victims from the Salonika Front. My principal aim is to highlight the contrasts and contradictions between nationalized collective memories and unsettling imperial legacies that define the material afterlives of each of these cemeteries. In Mirogoj, material afterlives take shape as a palimpsest of eras, only some of which are monumentalized as collective memories. In Zeitenlik, the material afterlife of a single event of death-dealing, the Great War, constitutes an archive of bygone imperial socialities that defy the homogenizing logics of national identity in the present.
死亡的等待:坟墓空间中的物质后遗症
本文通过对两座死者城市的比较研究,考察了墓地的异时和异时材料的后世:萨格勒布的米罗戈吉公墓(建于19世纪末)和塞萨洛尼基的泽滕里克第一次世界大战军事公墓(埋葬萨洛尼卡前线的盟军受害者)。我的主要目的是强调国有化的集体记忆和令人不安的帝国遗产之间的对比和矛盾,这些遗产定义了每个墓地的物质遗产。在Mirogoj,物质的余生形成了时代的重写本,只有其中一些被纪念为集体记忆。在Zeitenlik中,一场死亡交易事件——大战——的物质来生构成了过去帝国社会的档案,这些社会挑战了当今国家身份的同质化逻辑。
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来源期刊
CiteScore
1.80
自引率
0.00%
发文量
30
期刊介绍: The Journal of Material Culture is an interdisciplinary journal designed to cater for the increasing interest in material culture studies. It is concerned with the relationship between artefacts and social relations irrespective of time and place and aims to systematically explore the linkage between the construction of social identities and the production and use of culture. The Journal of Material Culture transcends traditional disciplinary and cultural boundaries drawing on a wide range of disciplines including anthropology, archaeology, design studies, history, human geography, museology and ethnography.
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