New York Times Interventions

IF 0.4 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

OCTOBER Pub Date : 2023-02-01 DOI:10.1162/octo_a_00478

Mira Schor

引用次数: 0

Abstract

Abstract Six works from the artist Mira Schor's open-ended series of handwritten defacements of the New York Times— most often of its front page—which she irregularly posts on Instagram. Varying in intensity, all have the same target: the way the language of the paper, aping “objectivity,” often tends toward obfuscation, which the artist regards as a dereliction of duty, a variety of Orwellian doublespeak that is much more subtle than what one might find on Fox News, making the debunking of its rhetoric all the more urgent.

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《纽约时报》

艺术家米拉·肖尔(Mira Schor)的六幅作品是她不定期地在Instagram上发布的《纽约时报》(New York Times)开放式手写涂鸦系列——大多数是头版。虽然强度不同，但都有相同的目标:报纸的语言方式，模仿“客观性”，往往倾向于混淆，艺术家认为这是一种玩忽职守，是一种奥威尔式的双重性，比人们在福克斯新闻上看到的要微妙得多，这使得揭穿其修辞变得更加紧迫。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

OCTOBER HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.10

自引率

33.30%

发文量

期刊介绍： At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.