Could H.P. Lovecraft Create a Semblance of Normality?

Q4 Social Sciences
Alfons Gregori
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引用次数: 0

Abstract

As part of historically minorized culture, Catalan literature endured difficult periods, e.g., the Francoist regime. To imagine different worlds writing in this language was even more arduous in the 20th century because of the negative attitude towards the fantastic shared by two fundamental trends of Catalan literature up to the 1970s: Noucentisme and historical realism. Nonetheless, H.P. Lovecraft was an important reference in the Catalan non-mimetic fiction that had a certain revival in post-war times. As a step towards “normalization” of Catalan literature after Franco’s death, the writers’ collective Ofèlia Dracs published several collections of short-stories of “genre” fiction–among them Lovecraft, Lovecraft! (1981). On the one hand, this article inscribes this exceptional collection in its historical context and in the contemporary Catalan literary system; on the other, it aims to shed light on Lovecraft’s role in Ofèlia Dracs’ book, proving the projection of his extraordinary supernatural world onto it by the presence not only of Lovecraftian hypotexts in its different tales, but also of metafictional elements inherited mainly from Joan Perucho’s postmodernist writings.
H.P.洛夫克拉夫特能创造一种正常的表象吗?
作为历史上少数民族文化的一部分,加泰罗尼亚文学经历了困难时期,例如弗朗哥政权。在20世纪,用这种语言来想象不同的世界更加困难,因为直到20世纪70年代,加泰罗尼亚文学的两个基本趋势——新主义和历史现实主义——都对奇幻持消极态度。尽管如此,H.P.洛夫克拉夫特在加泰罗尼亚非模仿小说中是一个重要的参考,在战后有一定的复兴。在佛朗哥死后,作为加泰罗尼亚文学“正常化”的一步,作家集体oflia Dracs出版了几本“类型”小说的短篇小说集——其中包括《洛夫克拉夫特,洛夫克拉夫特!》(1981)。一方面,这篇文章将这个特殊的收藏铭刻在它的历史背景和当代加泰罗尼亚文学体系中;另一方面,它的目的是揭示洛夫克拉夫特在奥弗里特丽亚·德拉克斯的书中的作用,证明他非凡的超自然世界的投射,不仅是洛夫克拉夫特在不同故事中的假象,还有主要继承自琼·佩鲁乔后现代主义作品的元虚构元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.10
自引率
0.00%
发文量
22
审稿时长
16 weeks
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