Mystification as an Artistic Strategy in Milan Kundera's Work

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Jan Čulík
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引用次数: 1

Abstract

ABSTRACT Using close reading of Kundera's texts, Jan Čulík argues that many arguments in Milan Kundera's literary works are deliberate provocations. Kundera's approach is undoubtedly related to post-modernism, although he used his mystification techniques long before the arrival of postmodernism, as early as in the Stalinist 1950s when he published fake quotes from Lenin in official Stalinist publications. In Jan Čulík's view, it is the purpose of Milan Kundera's systematic use of false facts, distortions and disrupted logic to warn his readers against against the unreliability of words and human communication. Kundera seems to argue that the world in its complexity is basically unknowable and the only thing that is left for us is, in despair, in our ignorace of what is going on around us, to carry out pranks.
神秘化:米兰·昆德拉作品的艺术策略
通过对昆德拉文本的细读,扬认为昆德拉文学作品中的许多论点都是蓄意挑衅。昆德拉的方法无疑与后现代主义有关,尽管他早在后现代主义到来之前就使用了他的神秘化技巧,早在斯大林主义的20世纪50年代,他就在斯大林主义官方出版物上发表了对列宁的假引。在JanČulík看来,米兰·昆德拉系统地使用虚假事实、扭曲和混乱的逻辑,是为了警告他的读者不要使用语言和人类交流的不可靠性。昆德拉似乎认为,这个复杂的世界基本上是不可知的,我们唯一能做的就是在绝望中,在对周围发生的事情一无所知的情况下,搞恶作剧。
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来源期刊
SLAVONICA
SLAVONICA HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
9
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