{"title":"Success—Collapse—Resilience","authors":"Florentine Schoog","doi":"10.3167/nc.2022.170103","DOIUrl":null,"url":null,"abstract":"This article examines a selection of documentary films on the “Anthropocene” to carve out their common plot structure against the backdrop of prominent Anthropocene narratives. I subsequently trace Anthropos—the typification of a collective subject of humankind—and its story: the principal success story of the past that views humankind’s glory in gaining dominance over nature is followed by a moment of shock revealing a potential collapse of the world as we know it. The story comes nevertheless to a happy ending by emphasizing the ingenuity of humans in a paradigmatic logic of resilience. I propose to call this figure Homo resiliens as it represents the anthropologized human capability of surviving. I argue that this figure conceals global inequality and social hegemonies in totalizing humankind as one collective resilient subject.","PeriodicalId":46069,"journal":{"name":"Nature + Culture","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nature + Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.3167/nc.2022.170103","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ENVIRONMENTAL STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
This article examines a selection of documentary films on the “Anthropocene” to carve out their common plot structure against the backdrop of prominent Anthropocene narratives. I subsequently trace Anthropos—the typification of a collective subject of humankind—and its story: the principal success story of the past that views humankind’s glory in gaining dominance over nature is followed by a moment of shock revealing a potential collapse of the world as we know it. The story comes nevertheless to a happy ending by emphasizing the ingenuity of humans in a paradigmatic logic of resilience. I propose to call this figure Homo resiliens as it represents the anthropologized human capability of surviving. I argue that this figure conceals global inequality and social hegemonies in totalizing humankind as one collective resilient subject.