Digital creation: possible (and achievable) futures

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
P. González
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引用次数: 0

Abstract

During the last year, science and technology have been playing an indispensable role in a difficult and complex context. All areas of our lives have been forced to adapt to digital processes at an accelerated pace. Faced with an obvious economic and social transformation, we want to consider the state of culture and creation, one of the sectors hardest hit by the crisis. Specifically, we are interested in focusing on the particular situation of digital creation, devastated especially by the lack of protection and funding, by the closure of galleries and specialised spaces. It is not a question of starting from scratch. Future possibilities must be presented as opportunities. First, by analysing what has been learned, experienced and discussed so far before and during the pandemic. From there, we must identify, on the one hand, the direct consequences of the pandemic, and on the other, the problems arising from the acceleration of the digital transformation. Especially in those aspects that allow us to relaunch and promote new lines of work, heterogeneous initiatives, or new methodologies while always bearing in mind that this knowledge and experience has to settle and survive under the rules of the digital economy. Both the creation and consumption of content requires new digital, communication, entrepreneurial and commercial skills. Let us look for new perspectives, let us face the transversality that the hybridisation between art, science and technology can offer. Let us analyse and share with all those involved in all the creative processes and avoid going back into a loop. We are facing a complicated and risky, but exciting project. It is more necessary than ever to learn from mistakes, and to extract the value of certain experiences related to digital art. And, above all, let us not forget two of the most important components: to value the creators, to recover the public, and to attract those who have never felt attracted by these types of artistic practices. Let us look for and share the way to encourage and promote new contents and scenarios.
数字化创造:可能(和可实现)的未来
在过去的一年里,科学和技术在困难和复杂的环境中发挥了不可或缺的作用。我们生活的各个领域都被迫以更快的速度适应数字化进程。面对明显的经济和社会转型,我们要考虑受危机打击最严重的部门之一——文化和创作的状况。具体来说,我们感兴趣的是关注数字创作的特殊情况,特别是由于缺乏保护和资金,画廊和专门空间的关闭而受到破坏。这不是一个从零开始的问题。未来的可能性必须被视为机遇。首先,分析在大流行之前和期间迄今所学到的、经历的和讨论的情况。在此基础上,我们必须一方面确定疫情的直接后果,另一方面确定加速数字化转型所带来的问题。特别是在那些允许我们重新启动和促进新工作线,异构倡议或新方法的方面,同时始终牢记这些知识和经验必须在数字经济规则下沉淀和生存。内容的创造和消费都需要新的数字、沟通、创业和商业技能。让我们寻找新的视角,让我们面对艺术、科学和技术的混合所能提供的横向性。让我们与所有参与创意过程的人进行分析和分享,避免陷入恶性循环。我们正面临着一个复杂而有风险,但令人兴奋的项目。现在比以往任何时候都更有必要从错误中吸取教训,并从与数字艺术相关的某些经验中提取价值。最重要的是,我们不要忘记两个最重要的组成部分:重视创作者,恢复公众,吸引那些从未被这类艺术实践吸引过的人。让我们一起寻找和分享鼓励和推广新内容和新场景的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Artnodes
Artnodes HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
0.00%
发文量
26
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