Sentient Photography: Image-Production and the Smartphone Camera

Doron Altaratz, P. Frosh
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引用次数: 4

Abstract

Thanks to the smartphone, photography has become pervasive in contemporary digital culture. Yet the smartphone’s very ‘smartness’ profoundly alters the relations of control between humans and technologies in image-production practices. Unlike dedicated cameras, smartphones use built-in sensors for small-scale positioning to ‘sense’ user’s bodily orientations and states of motion. Combined with photographic applications, this ‘sentience’ enables devices to direct user actions and to require user compliance in order to create an image. In this paper, we analyze image-production in three smartphone applications to chart a continuum between two techno-cultural poles. At one pole smartphone photography accommodates a range of human-technological interactions, including the development of new forms of play and experimentation. At the opposite pole, it executes algorithmically-choreographed sentient photography in which ultimate decisions are made by context-aware learning software, radically reconfiguring the distribution of agency between humans and technologies. The development of sentient photography, we conclude, represents the integration of the photographer’s body itself into platform control of image-production.
感性摄影:图像制作与智能手机相机
多亏了智能手机,摄影在当代数字文化中变得无处不在。然而,智能手机的“智能”深刻地改变了图像制作实践中人类与技术之间的控制关系。与专用摄像头不同,智能手机使用内置传感器进行小规模定位,以“感知”用户的身体方向和运动状态。与摄影应用程序相结合,这种“感知”使设备能够指导用户的行动,并要求用户遵守规定来创建图像。在本文中,我们分析了三个智能手机应用程序中的图像制作,以绘制两个技术文化两极之间的连续体。在一极,智能手机摄影涵盖了一系列人类技术互动,包括开发新的游戏和实验形式。在另一端,它执行算法编排的感知摄影,通过上下文感知学习软件做出最终决定,从根本上重新配置人类和技术之间的代理分配。我们得出结论,感知摄影的发展代表着摄影师的身体本身融入到图像制作的平台控制中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Photographies
Photographies Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
0.00%
发文量
25
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