The Battleground of Imperial Memory: The Antique Spoliation of the Complex of Algerian Gazi Hasan Paşa on Kos and Its Contestation

Sean Silvia
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Abstract

abstract:The mosque complex of Gazi Hasan Paşa is a remarkable synthesis of Ottoman and classical culture in which each structure includes ancient building materials from nearby ruins. This article analyzes the heretofore unexamined use of antique remains with a multidisciplinary approach, incorporating history, archaeology, and art history. The mosque complex positions the Ottoman Empire as the heir of ancient Mediterranean civilization. This claim posed an ideological threat to Western European viewers because they claimed the inheritance of Mediterranean civilization themselves. Western European authors erased Ottoman reuse of ancient materials from their accounts in order to ideologically exclude the Ottomans from the legacy of ancient civilization, thereby characterizing them as "barbarians." These same authors criticized the Ottomans for engaging with antiquity too much when the Ottomans began resisting colonial archaeology. Ottoman engagement with antiquity in Gazi Hasan Paşa's complex thus became a venue to contest imperial identities.
帝国记忆的战场:阿尔及利亚人加齐·哈桑·帕沙在科斯的建筑群及其竞争
Gazi Hasan pa清真寺建筑群是奥斯曼帝国和古典文化的杰出综合体,其中每个建筑都使用了附近遗址的古代建筑材料。本文分析了迄今为止未经审查的使用与多学科的方法,结合历史,考古学和艺术史的古董遗骸。清真寺建筑群将奥斯曼帝国定位为古代地中海文明的继承人。这种说法对西欧观众构成了意识形态上的威胁,因为他们声称自己继承了地中海文明。西欧作家从他们的记载中抹去了奥斯曼帝国对古代材料的再利用,以便在意识形态上将奥斯曼人排除在古代文明的遗产之外,从而将他们描述为“野蛮人”。当奥斯曼人开始抵制殖民考古学时,这些作者批评奥斯曼人过多地参与古代研究。因此,奥斯曼帝国在加齐哈桑建筑群中与古代的接触成为了争夺帝国身份的场所。
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