Bisakah Angklung menjadi Instrumen Psikoedukatif? Studi Eksploratif pada Pemain Angklung

Retno Hanggarani Ninin, Roswita Amelinda
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引用次数: 0

Abstract

Angklung is a unique traditional Sundanese music instrument involving a number of people to play it to produce a musical appearance. This uniqueness may indicate that angklung is not only an instrument of art, but also a psychoeducation instrument. This study explores the experience of angklung players in playing angklung and proves the use of angklung as a psychoeducation instrument. This study used explorative qualitative approach on seven angklung players. The results identify types of angklung player experience: audio-emotional, interactional (fellow players or coaches), and personal (interest, awareness, failure). Prerequisites of the use of psychoeducation instruments including the conversion of the role of the trainer to the educator, identifying specific behaviors in playing angklung as a simulation of the reality of social interaction, and providing instructions on how to play angklung optimally based on their parts. Angklung has psychoeducation potential to develop psychosocial skills (hablumminannaas) and servitude to God (hablumminnallah).
Angklung能成为一种心理教育工具吗?角选手探索性研究
Angklung是一种独特的传统巽他族乐器,由许多人参与演奏,以产生音乐的外观。这种独特性可能表明昂克隆不仅是一种艺术工具,也是一种心理教育工具。本研究探讨了昂克龙玩家玩昂克龙的经验,并证明昂克龙是一种心理教育工具。本研究采用探索性定性方法对七名昂克龙选手进行研究。研究结果确定了angklung球员体验的类型:音频-情感、互动(同伴或教练)和个人(兴趣、意识、失败)。使用心理教育工具的先决条件,包括将培训师的角色转变为教育者,识别扮演昂克龙的特定行为,以模拟社会互动的现实,并根据其角色提供如何最佳扮演昂克朗的指导。Angklung具有心理教育潜力,可以发展心理社会技能(hablumminnaas)和对上帝的奴役(habluminnallah)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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