Poetry, Culture, Neuroscience, Emotions, and the Case of Bonding, Separation, and Separation Anxiety in Sixteenth-Century Ottoman Culture: A Theoretical Preface

Q3 Arts and Humanities
W. Andrews, Ayşe Dalyan
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引用次数: 0

Abstract

Abstract:The development of neuroscience-based theories of mind-culture relations and the plasticity of the brain suggests an approach to the history of emotions that treats historical cultural artifacts, such as poems, songs, and images, as traces of the cultural patterning of neural pathways. By examining the case of bonding, separation, and separation-related emotions as reflected in Ottoman panegyric and love poetry and instantiated in Ottoman social structures, we will advance a hypothesis that Ottoman culture scripts not only social behaviors but the internal architecture of the brain and consequent unmediated "emotional" reactions to real-world events. If brain-patterning behaviors and their consequences can be identified and linked, this opens up possibilities for evidence-based histories of emotions and emotional communities that would enhance fruitful exchanges among neuroscientists, psychologists, social scientists, and humanities scholars. Moreover, we will suggest that a humanistic approach to "brain science" might constitute a useful theoretical platform for the emerging history of emotions field in Ottoman cultural studies. This essay constitutes a theoretical preface to a forthcoming large-scale digital text-analysis project already in its initial stages.
诗歌,文化,神经科学,情感,和结合的情况下,分离,分离焦虑在十六世纪奥斯曼文化:理论序言
摘要:基于神经科学的心理文化关系理论和大脑可塑性的发展,提出了一种研究情感历史的方法,将历史文化文物(如诗歌、歌曲和图像)视为神经通路文化模式的痕迹。通过研究在奥斯曼古诗歌和爱情诗中反映的结合、分离和与分离相关的情感,并在奥斯曼社会结构中实例化,我们将提出一个假设,即奥斯曼文化不仅规范了社会行为,而且规范了大脑的内部结构,以及由此产生的对现实世界事件的未经调解的“情感”反应。如果大脑模式行为及其后果能够被识别和联系起来,这将为以证据为基础的情感和情感社区的历史开辟可能性,这将加强神经科学家、心理学家、社会科学家和人文学者之间富有成效的交流。此外,我们将提出一种人文主义的“脑科学”方法可能为奥斯曼文化研究中新兴的情感史领域提供一个有用的理论平台。这篇文章构成了一个即将到来的大规模数字文本分析项目已经在其初始阶段的理论序言。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
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