{"title":"The Chevalier de Quincy: an officer and his musical passe-partout","authors":"Julie Anne Sadie Goode","doi":"10.1093/em/caac044","DOIUrl":null,"url":null,"abstract":"\n In common with many military officers at the turn of the 18th century, Joseph Sevin kept a journal that chronicled army life on and off the battlefield. His memoirs, covering the years 1697 to 1713, are of particular interest because they reveal his pleasure in making music with his fellow officers and the women whom he met socially. While boasting of only modest attainments, the Chevalier de Quincy adored his basse de viole and took it everywhere he went in the course of the War of the Spanish Succession, from Paris to the châteaux of Quincy, Versailles and Fontainebleau, to Provence, Flanders and Italy. His descriptions bring to life the musical occasions in which he took part or simply attended. They also mention fellow officers who we know played and enjoyed the viol. Among the many bonds between members of the noblesse militaire, music can at last be counted.","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2022-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"EARLY MUSIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/em/caac044","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
In common with many military officers at the turn of the 18th century, Joseph Sevin kept a journal that chronicled army life on and off the battlefield. His memoirs, covering the years 1697 to 1713, are of particular interest because they reveal his pleasure in making music with his fellow officers and the women whom he met socially. While boasting of only modest attainments, the Chevalier de Quincy adored his basse de viole and took it everywhere he went in the course of the War of the Spanish Succession, from Paris to the châteaux of Quincy, Versailles and Fontainebleau, to Provence, Flanders and Italy. His descriptions bring to life the musical occasions in which he took part or simply attended. They also mention fellow officers who we know played and enjoyed the viol. Among the many bonds between members of the noblesse militaire, music can at last be counted.
期刊介绍:
Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice. Each beautifully-presented issue contains a wide range of thought-provoking articles on performance practice. New discoveries of musical sources, instruments and documentation are regularly featured, and innovatory approaches to research and performance are explored, often in collections of themed articles.