Approaches to Composition in Visual Music: An Artist’s Reflection on Three Original Pieces

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2019-02-27 DOI:10.1162/lmj_a_01065

Dave Payling

引用次数: 0

Abstract

This article discusses the author’s visual music compositional practice in the context of similar work in this field. It specifically examines three pieces created between 2015 and 2017 that fused digital animation techniques with electronic sound. This approach contrasted with the author’s earlier compositions, which featured electroacoustic music and video concrète.

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视觉音乐创作方法——艺术家对三首原创作品的思考

本文结合该领域的类似作品，探讨作者的视觉音乐创作实践。它特别考察了2015年至2017年间创作的三部融合了数字动画技术和电子声音的作品。这种方法与作者早期的作品形成了鲜明对比，后者以电声音乐和视频音乐会为特色。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

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期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.