Openness and Fluidity of Place: A Practical Dilemma for Ecomuseums in China

IF 0.4 4区 艺术学 0 ART
Kai Yin, William Nitzky
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引用次数: 0

Abstract

Abstract Compared to traditional museums, ecomuseums encompass community, heritage and a cultural landscape, transforming a place into an in situ museum. When employed as a cultural tool or heritage project, ecomuseums are dedicated to representing local distinctiveness and strengthening a sense of place. What happens when the intentions are such, but the development practice for ecomuseums is inherently fraught with challenges? This article reveals that in China, ecomuseum projects intending to develop a sense of place and local participation encounter practical dilemmas from their particular methodology and practical processes. Through the perspectives of both an insider developer participant and an outsider anthropologist, we describe and analyse two cases from China: Bai Yang Po, located in Shanxi province, and You Tian, in Zhejiang province. These two case studies reveal that ecomuseum principles, site selection and project implementation in China do not correspond with local populations’ sense of place. Using participant observation, questionnaires and semi-structured interview data, we argue that extra-local scholar and government-led directives establish distinct physical boundaries for ecomuseum projects that do not follow the logic of local people’s lives, nor their relationships with each other and with their environment. In this paper we present two key concepts—openness of place and fluidity of place—and in connecting them with our case studies, illustrate how a sense of place that transcends physical boundaries can be viable for ecomuseum projects in China.
开放性与流动性:中国生态博物馆的现实困境
与传统博物馆相比,生态博物馆包含社区、遗产和文化景观,将一个地方转变为一个原地博物馆。当被用作文化工具或遗产项目时,生态博物馆致力于代表地方特色并加强地方感。如果初衷是这样的,但生态博物馆的开发实践本身就充满了挑战,会发生什么?本文揭示了在中国,生态博物馆项目从其独特的方法论和实践过程中遇到了现实困境。通过一个内部开发者参与者和一个外部人类学家的视角,我们描述和分析了来自中国的两个案例:位于山西省的白羊坡和浙江省的游田。这两个案例揭示了中国生态博物馆的原则、选址和项目实施与当地居民的地方感不相符。通过参与观察、问卷调查和半结构化访谈数据,我们认为,地方以外的学者和政府主导的指令为生态博物馆项目建立了明确的物理边界,这些项目不遵循当地人民的生活逻辑,也不遵循他们彼此之间以及与环境的关系。在本文中,我们提出了两个关键概念——场所的开放性和场所的流动性,并将它们与我们的案例研究联系起来,说明了超越物理边界的场所感如何在中国的生态博物馆项目中可行。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
期刊介绍: In its new revised form Museum International is a forum for intellectually rigorous discussion of the ethics and practices of museums and heritage organizations. The journal aims to foster dialogue between research in the social sciences and political decision-making in a changing cultural environment. International in scope and cross-disciplinary in approach Museum International brings social-scientific information and methodology to debates around museums and heritage, and offers recommendations on national and international cultural policies.
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