Mapping intersections: A dialectical reflection on postcolonial memory in Shyam Benegal’s Trikaal (Past, Present, Future)

Abstract

The article explores how Shyam Benegal’s 1985 film Trikaal (Past, Present, Future) navigates the social and psychic map of postcolonial Indian memory to reveal a pattern of persistent dualities and unlikely convergences of time, space and subjectivities. Via the domestic cosmos of a fictional Goan family, the film delves into the transitional and largely neglected phase of Goa’s decolonization from the Portuguese Empire. While situating itself in this specific moment, the film also puts forth an alternative discourse of approaching national history and the boundaries of the self. This is achieved by rerouting memory away from the high street of conventional history, utilizing the critical prism of reflective nostalgia and allowing the shadows of marginality to spill over the entirety of the narrative stage. Ultimately, we encounter a dialectical fabric of national identity dominated by unsettling intersections of past and present, home and abroad, memory and amnesia, power and oppression, romance and horror.