{"title":"“Se il partito più caritatevole non sarebbe di ‘chiudere’ l’Africa?” Stereotipi, esotismo e discorso coloniale nel resoconto africano di Emilio Cecchi","authors":"Cristiano Bedin","doi":"10.1080/02639904.2021.2002556","DOIUrl":null,"url":null,"abstract":"ABSTRACT The article aims to analyse Appunti per un periplo dell’Africa (1954), a travel book written by Emilio Cecchi that narrates the writer’s impressions and experiences in some Portuguese African colonies. The text is influenced by fascist propaganda, linked to imperialism, and shows the tendency to present African populations as the object of colonization. We consider the various stereotypes and images that Cecchi uses in the representation of the colonized people of the Portuguese territories in Africa, in particular in discourses focused on race, women, dance and the colonial system. It turns out that Cecchi’s work is fully inserted into the ideological context of the early twentieth century, reaffirming a colonial discourse that supports the primacy of the civilized European over the primitive African and giving into the fascination for the exotic, typical of colonial literature.","PeriodicalId":41864,"journal":{"name":"Romance Studies","volume":"39 1","pages":"233 - 248"},"PeriodicalIF":0.2000,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romance Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/02639904.2021.2002556","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT The article aims to analyse Appunti per un periplo dell’Africa (1954), a travel book written by Emilio Cecchi that narrates the writer’s impressions and experiences in some Portuguese African colonies. The text is influenced by fascist propaganda, linked to imperialism, and shows the tendency to present African populations as the object of colonization. We consider the various stereotypes and images that Cecchi uses in the representation of the colonized people of the Portuguese territories in Africa, in particular in discourses focused on race, women, dance and the colonial system. It turns out that Cecchi’s work is fully inserted into the ideological context of the early twentieth century, reaffirming a colonial discourse that supports the primacy of the civilized European over the primitive African and giving into the fascination for the exotic, typical of colonial literature.
本文旨在分析埃米利奥·切基(Emilio Cecchi)的旅行书《非洲之旅》(Appunti per un periplo dell’africa, 1954),这本书讲述了切基在葡萄牙在非洲的一些殖民地的印象和经历。文本受到法西斯宣传的影响,与帝国主义联系在一起,并显示出将非洲人口呈现为殖民对象的倾向。我们考虑了切奇在描述葡萄牙在非洲领土上的殖民地人民时所使用的各种刻板印象和形象,特别是在以种族、妇女、舞蹈和殖民制度为重点的话语中。事实证明,切奇的作品完全融入了二十世纪早期的意识形态背景,重申了殖民话语,支持文明的欧洲人高于原始的非洲人,并对异国情调的迷恋,典型的殖民文学。