“Noi giovani”. Costruzioni narrative e immaginario collettivo sui giovani tra Settecento e Novecento

Storia e Futuro Pub Date : 2022-12-21 DOI:10.30682/sef5622c
E. Battista
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Abstract

At the end of the eighteenth century, on the influence of Rousseau’s production, and thanks to that series of social transformations that are at the basis of the birth of bourgeois society, a new social category appears on the public scene, that of the “young”, which since then it will be decisive and at the center of every theory and public discourse. Constructed and imagined by literature, during the nineteenth century the figure of the “young man” was consolidated and built around some paradigms: self-affirmation, the – often violent – contrast with the generation of fathers, the need to impose himself as hero and rejection of the adult world. The present essay traces these characteristic traits of the construction of the image of youth through some of the main literary contributions of the time, up to the First World War: the Great War marks, in fact, for the category of “youth” the passage from myth to history.
“我们年轻人”。关于18到20岁年轻人的叙事和集体想象结构
18世纪末,在卢梭作品的影响下,由于资产阶级社会诞生的基础上的一系列社会变革,一个新的社会类别出现在公众面前,即“年轻人”,从那时起,它将是决定性的,并处于每种理论和公共话语的中心。在19世纪,“年轻人”的形象是由文学构建和想象的,围绕着一些范式而巩固和构建:自我肯定,与父辈的对比——通常是暴力的——需要将自己强加为英雄,以及拒绝成人世界。本文通过第一次世界大战前的一些主要文学贡献,追溯了青年形象建构的这些特征:事实上,大战标志着“青年”这一类别从神话走向历史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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