Kwisin in Chosŏn Literati Writings: Multilayered Recognition, Cultural Sensibility, and Imagination

IF 0.7 3区 社会学 0 ASIAN STUDIES
Keysook Choe
{"title":"Kwisin in Chosŏn Literati Writings: Multilayered Recognition, Cultural Sensibility, and Imagination","authors":"Keysook Choe","doi":"10.1215/21581665-7258029","DOIUrl":null,"url":null,"abstract":"Abstract:This paper investigates Confucian literati's multilayered recognition of kwisin in the Chosŏn dynasty by focusing on three distinct genres: philosophical writings, ritual writings, and fictionalized writings. Multifaceted concepts of kwisin in these three genres are analyzed through interpretive lenses such as philosophical thought, cultural sensibilities, and literary imagination. In the context of philosophy, Chosŏn literati developed the traditional concept of kwisin as spiritual beings in accordance with the Confucian paradigms. In the context of empirical cultural fields, however, sadaebu collected fantastic stories as contemporary cultural research with the aim of publishing encyclopedic collections. In such works, Chosŏn intelligentsia exhibited a dual position: one criticizing the worship of kwisin by the lower classes, the other recognizing such as a cultural tradition. Although literati criticized fictional stories containing ghosts, they penned their own versions with female apparitions, maintaining their patriarchal Confucian ideology by \"otherizing\" these ghosts of unclear familial lineage. Fictional narratives in which kwisin appeared fostered communication across ideology, folk knowledge, and experiential sensibility and embraced the metaphysical recognition and everyday sense of kwisin. Gendered kwisin stories played the cultural roles of criticizing and reflecting social paradox and received a wide range of social sympathy, from the elite class to commoners.","PeriodicalId":43322,"journal":{"name":"Journal of Korean Studies","volume":"24 1","pages":"28 - 3"},"PeriodicalIF":0.7000,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Korean Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/21581665-7258029","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0

Abstract

Abstract:This paper investigates Confucian literati's multilayered recognition of kwisin in the Chosŏn dynasty by focusing on three distinct genres: philosophical writings, ritual writings, and fictionalized writings. Multifaceted concepts of kwisin in these three genres are analyzed through interpretive lenses such as philosophical thought, cultural sensibilities, and literary imagination. In the context of philosophy, Chosŏn literati developed the traditional concept of kwisin as spiritual beings in accordance with the Confucian paradigms. In the context of empirical cultural fields, however, sadaebu collected fantastic stories as contemporary cultural research with the aim of publishing encyclopedic collections. In such works, Chosŏn intelligentsia exhibited a dual position: one criticizing the worship of kwisin by the lower classes, the other recognizing such as a cultural tradition. Although literati criticized fictional stories containing ghosts, they penned their own versions with female apparitions, maintaining their patriarchal Confucian ideology by "otherizing" these ghosts of unclear familial lineage. Fictional narratives in which kwisin appeared fostered communication across ideology, folk knowledge, and experiential sensibility and embraced the metaphysical recognition and everyday sense of kwisin. Gendered kwisin stories played the cultural roles of criticizing and reflecting social paradox and received a wide range of social sympathy, from the elite class to commoners.
郭敬明在Chosŏn文人写作:多层次认知、文化感性与想象
摘要:本文从哲学文、礼教文和小说文三个不同的文体入手,考察了周朝儒家文人对奎辛的多层次认识。从哲学思想、文化情感、文学想象等阐释视角,分析了这三种文体中的奎辛的多方面概念。在哲学语境中,朝鲜文人按照儒家的范式发展了传统的精神存在观。然而,在实证文化领域的背景下,萨达耶布收集了奇幻故事作为当代文化研究,目的是出版百科全书式的文集。在这些作品中,朝鲜知识界表现出双重立场:一方面批判下层阶级对奎辛的崇拜,另一方面承认奎辛是一种文化传统。尽管文人批评了包含鬼魂的虚构故事,但他们用女性幽灵书写了自己的版本,通过将这些家族血统不明的鬼魂“他者化”来维护他们的父权儒家思想。克维辛出现的小说叙事促进了意识形态、民间知识和经验情感的交流,并包含了克维辛的形而上学认知和日常感。从精英阶层到平民阶层,柯文小说扮演着批判和反映社会矛盾的文化角色,获得了广泛的社会同情。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
CiteScore
0.60
自引率
0.00%
发文量
23
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信