Physically Distant – Socially Intimate

Abstract

In the 2020 COVID-19 pandemic situation, physical interaction and public performances became difficult, while use of digital media for public and private purposes was extended and intensified. This affected citizens’ right of assembly and led to new forms of collective sociality. This article analyses how social intimacy was re-arranged during lockdown through a thick description of mediated performances circulating on Italy’s Day of Liberation from Nazi fascism. It examines how a politicised commemoration of resistance echoed fears and desires relating to the virus and enabled the production of subjectivities in a transnational techno-social environment. Combining Lauren Berlant’s concept of intimate publics with theories of media, social movements, mediation and national identity, it offers an analytical framework detailing three layers of social intimacy: spatial/corporeal materiality, biography and mediation.